Monday, August 27, 2018

DTWS S025, Week 7: Halloween Treats Us With Magical Dances


What is the best Dancing with the Stars episode all year long? If you jumped up and said, “The Halloween episode!,” then you are definitely a DWTS viewer. It’s the one we LIVE for all year long.




You can’t go wrong by the pros dancing to “Time Warp” to kick everything off! Such fun.



Victoria and Val kick off the dances with this beautiful Viennese waltz. Just stunning. The music was perfect, the dance was perfect.

Val, in the package: “Victoria survived death. I think she can survive Jordan Fisher and Lindsey Stirling.”


Every single dance they do, I appreciate Val’s choreography, and his dancing, so very much. It was lyrical and just beautiful. (They were portraying ghosts.)

Len: “Lovely amount of rotation. You floated across the floor like a leaf on a stream. Beautiful.” Bruno: “That was so fluidly ethereal, and I have to praise you because you have taken into consideration our comments about arms. That’s how you do it. Simply beautiful.” Carrie Ann: “The hold, the way you guys worked together, is magical. A magical routine.”

JUDGES’ SCORES: 27 (out of 30)

Tom comes back from the break to warn us not to turn Halloween puns into a drinking game: “You will not survive the night.”




Jordan and Lindsay do a Red Riding Hood paso doble. (Can I just say that Sasha does more somersaults on this show than anyone? By far...) The troupe of fellow wolves at the beginning of this paso was kinda scary.

They really could have omitted the “oh, it’s so hard to keep up with the troupe” comments, though. Dude’s a professional dancer. C’mon.

(As you can see, the set makers go all out on Halloween night, too.)

Bruno: “It was the biggest, baddest paso ever! The choreography you manage, Lindsay, is insane. It was insanely good. Absolutely superb.” Carrie Ann: “I felt like this routine was harder for you than routines in the past. I felt you going a little outside your comfort zone. It was really powerful and aggressive. I loved it.” Len: “There was plenty of tricks, and there was plenty of treats. I’m looking for faults. I gotta be honest: you little devil, you dance like an angel.”

JUDGES’ SCORES: 30 (out of 30)




Super great costumes for this jive with Nikki and Artem. Fun dance to “I Put a Spell on You” in a Starbucks (-like coffee shop).


Carrie Ann: “I appreciate that you really try to extend your feet when you’re dancing. But I didn’t feel you connected as much to the music this week.” Len: “The coffee was a decaf, cause it lacked a bit of punch in the whole routine.” Bruno comments on how they messed up and it happens to everyone. “I’m sure you’ll be back next week, and kill it.”

JUDGES’ SCORES: 24 (out of 30)

We have a fun Halloween bumper by Sharna and Keo to come back from commercial. Then Maks argues in the package how everyone is talking (rightly) about Jordan and Lindsey (to win), and that he and Vanessa are still in this. Sorry, Maks, you guys are good, but Jordan and Lindsey are a level above. They just are.

Oh sorry, I just heard Maks call the paso doble he created, “brilliant.” Always love Maks’ modesty.



It’s Halloween. Of course there are a lot of zombies.

There were a lot of troupe zombies here (Sasha notably). And in Maks’ pantheon of pasos, I don’t know that this one was the most brilliant, but it was pretty notable. Also, there was some serious acting going on, not just from Maks, but from Vanessa. So, yeah. Pretty good dance.

(Sad to see Nick cheering her on from the sidelines, though.)

Len bitches about the difference between “production and dance. For me, this was lacking a bit in paso doble choreography.” (He’s right. And Maks knows he’s right, cause he’s looking down.) As Len is talking, the Grim Reaper walks behind the judges’ table with his sythe. Perfect. Bruno talks about how when she gets overexcited with her movements, she doesn’t finish a line. (Also true.) Carrie Ann: “It’s hard, cause I have such high hopes for you, because you are so powerful. You move beautifully.”

JUDGES’ SCORES: 24 (out of 30)



Cheryl and Terrell do a tango to Rick James’ “Super Freak.” Points for a great song. And a fun dance.

Bruno: “Cheryl, how you manage to make him hold frame and posture, considering the difference of height, and he never skipped a beat. He kept gliding, a proper tango.” Carrie Ann: “I agree absolutely. Well done.” Len: “You captured that staccato feel. You stalked the floor. Cheryl, you’re doing a wonderful job.”

JUDGES’ SCORES: 25 (out of 30)

Clown Sasha scares the bejesus out of Cheryl. Fun stuff.

Then, they show all the ways that Sasha scared people all week. Well, except Terrell. He was unphased. PS. He does this every year, and I love seeing it.

BTW, can I just say that Erin Andrews’ jumpsuit is the absolute coolest?



In their package, Lindsey talks about how she hurt her ribs in the dance last week, and doesn’t know if she can dance this week. They show her at Urgent Care on Sunday night (the night before the show). But of course...


The show must go on...



Rib injury? What rib injury?


This, ladies and gentlemen, is the mark of a true professional. Wow. Incredible paso too.

She’s in so much pain, she sits on Mark’s knee while the judges comment and give scores. Tom Bergeron sits on the floor with her.

Carrie Ann: “That was a really difficult routine. I could see the pain you were in the whole time. While I saw it in your face, and sometimes in your back, I did not see it in the movements. You were able to execute those shapes with strength and bravery and conviction. And that was so difficult. That was the fastest paso doble ever. I am so impressed.” Len: “I am a fan of your dancing.  What saved the dance were the twist turns, and that fantastic press line that you put in over there. And the knee walks. Well done.” Bruno: “That was so ambitious. And totally intriguing, because you managed to put a combination of paso doble, Irish dancing and a celebration of the Day of the Dead, but it actually all worked extremely well. Dramatically as construction... the speed of the dance was impossible to do, even if you feel well. And you managed to do it. Great achievement.”

JUDGES’ SCORES: 27 (out of 30)

Great troupe dance bumper to “The Name Game” to promote their live show.

Now, this next dance... Frankie says in the package that usually when people see him, they laugh. They don’t expect him to be a big scary mean guy. But, to the dance... (To a creeped out version of The Police’s “Every Breath You Take (I’ll Be Watching You),” which really is a stalker’s dream song.)


First, I'm not at all a fan of contemporary. It’s the rare contemporary dance which moves me in any way. However, this dance... wow.

Also, I can’t ever remember a #DWTS dance which involved a stalker breaking into someone’s home and trying to rape them. So it was very powerful, too.



Just a couple weeks ago, she was snottily asking him if he could “act sexy.” Guess she had no idea how much he could act, cause this was... just incredible.


Tom, afterward whispers to Frankie: “You do creepy so well.”

Len talks about how he’s not a fan of horror movies.  “That was one and a half minutes of horror. I thought it was fantastic.” Bruno: “You two tonight were truly inspired, and back on top. The storytelling, the interpretation, the dramatic tension, you maintained all the way through. It was spine-tingling good.” Carrie Ann: “I love when I see something that elevates the world of dance. That wasn’t just an incredible routine, you elevated what dance is, the way you interwove the story. You guys were connected by this invisible string of emotion. It was fantastic. It was riveting.”

JUDGES’ SCORES: 30 (out of 30) (The judges this week have cute little ghost paddles for their 10s.)

Oh, who’s next?


Oh, these guys! YAY!

So, all of the audience has glow sticks for this number.

Drew’s package shows him at the bottom of the leader board after last week (course, he’s forgetting how much people LOVE Property Brothers...) Emma gives him a great pep talk.

And they are dancing a Charleston (which is my favorite dance on this show). They whine about his hectic schedule and two dances and “I’m still here.”

But then, the dance...




First, you gotta love how Emma works Sasha into so many of her dances. Also, he is playing a preacher, who is marrying Emma and Drew’s characters (which is funny, because we all know that Sasha and Emma are betrothed).

I’m sorry, but that Charleston kicked ass. So fantastic. Drew’s lankiness really worked for this character.

Bruno: “That was murder on the dance floor at its most delicious. But you still managed to put a lot of jazz, Charleston, even jitterbug into there. You even kept up with the change of tempo, which is very hard when you come out of a lift. What’s happened to you?” Carrie Ann: “You were so in sync. You guys are so different. Every line matched, despite your complete different sizes and shapes. And you kept the energy all the way to the end. I think it’s one of your best dances so far.” Len: “Halloween is a marvelous thing, because last week, you were dead and buried. You’ve come back to life. It was fun, it was joyous, and I loved every minute of it. Well done.”

JUDGES’ SCORES: 27 (out of 30)

Then, since it’s Halloween, of course we have Team dances! YAY! But first, they announce that these three former winners will return next week to dance in the Trio round. Then, they release some results.




Team Monster Mash (above) dances first. We have just learned that Cheryl/Terrell and Nikki/Artem are both in jeopardy. (The other two couples are safe.)

The team also points out that ALL FOUR couples finished on top of the leader board last week.

They plan to dance with a literal maze onstage. Mark mentions how normally it’s “kind of a disaster. This is just a complete disaster.”


It was a pretty fun dance overall. All the moving scenery though. Ugh.

Len called it “a bit messy.” Carrie Ann: “I felt like you all underdanced.”

JUDGES’ SCORES: 24 (out of 30)

Then, we have Team Phantom of the Ballroom. (Dancing to “The Phantom of the Opera.”


We have some standings and two couples are in jeopardy: Drew/Emma and Vanessa/Maks are in jeopardy.



Their costumes for this dance, if you can’t already tell, are stunning. Both sets of teams had to have sequences where the celebs danced alone (without their pro partners) for 30 seconds. This team (I thought) did that more successfully.


Both Carrie Ann and Bruno are giving them standing ovations before they speak.

Bruno: “That was a splendid theatrical extravaganza. The choices of paso doble, tango into a waltz was absolutely genius. It was flawless in construction and it brought the best out of all of you.” Carrie Ann: “Words fail me. That was by far the most exquisite team dance ever.” Len: “Shut the front door and call me Andrew Lloyd Weber, that was the most polished dance I’ve ever seen as a team dance.”

(For the record, I don’t agree with Carrie Ann, though it was pretty darn good.)

JUDGES’ SCORES: 30 (out of 30)

Who goes home?



These were the four in jeopardy at the end. Right before the announcements, the ghastly death figure that had been looming around during the show came to Tom and Erin and handed them black envelopes with their names on them in red. Tom said the result was going to be “a surprise.”



These four couples get narrowed down to only Maks/Vanessa and Nikki/Artem being in jeopardy. As they are nervously waiting for which one is going home, Tom says: “It’s a double elimination. You’re BOTH going home.” :-0


****************************************************************





Miche’s Favorite Halloween Dances
1. Mark and Lindsey (paso doble)
2. Witney and Frankie (contemporary)
3. Val and Victoria (Viennese waltz)
4. Emma and Drew (Charleston)
5. Lindsay and Jordan (paso doble)
6. Maks and Vanessa (paso doble)



*******************************************************

Friday, August 17, 2018

DTWS S025, Week 6: Night at the Movies Brings More 10s



I love the opening numbers on Dancing with the Stars. Love love love them. This one (”choreographed, as always, by the amazing Mandy Moore”), to kick off “A Night at the Movies,” was especially grand. It had a whole huge story. I mean, look at this tidbit of a scene. Val is an aspiring writer, who hits the jackpot, and pulls his leading lady (Sharna) out of the chorus. This zipped by so fast on screen that I didn't even see Cheryl Burke’s pout in the moment. But it’s classic Hollywood, and so wonderful.

It just spun on and on. All those things that make you love Hollywood, in a few minutes of dancing. Just incredible.

I would watch this tremendous opening number over and over again as a movie...

Oh, and we have guest judge Shania Twain.

OK, so the goal, as they explain it, is to not only show a specific dance style, but to also convey “a specific movie genre.” Not tough at all.

MOVIE GENRE: Foreign film (Is that really a “genre”? Oh, who are we to quibble?)

DANCE STYLE: Argentine tango


Nikki notes in their package how she tends to shut down, rather than being vulnerable. Artem asks her why. She says that’s what she’s always done. He says, bluntly, well, it’s time to change. She notes, “Lot of changing here, being on this show. I let my guard down, lot of stuff.” That is a pretty constant theme from contestants. I don’t know what they expect coming in, but it’s a very emotional experience, to be on this show. It’s not just moving your body physically. It’s opening up your heart, and dancing with it.


It was pretty hard to top that amazing Argentine tango from last week, but this one was pretty amazing. The footwork was especially good, I thought.

Len: “I don’t like foreign films... You’ve got a tenderness about your dancing that you’ve got to explore more.” Shania: “That was so romantic.” Bruno: “It had that Parisian chic and poise. It’s good to see you in a different role.” Carrie Ann: “That was a stunning display of all this newfound artistry that comes from vulnerability.”

JUDGES’ SCORES: 36 (out of 40)


MOVIE GENRE: Action

DANCE STYLE: Paso doble



Drew tells us things we didn’t know: that he competed in karate for a long time, and wanted to be an action star.

They put forth a really incredible dance, with a bunch of troupe members (including Sasha!). It was quite wonderful. Amazing choreography. Wild to see Emma with black hair, though.

Shania: ”I thought the balance of the feminine and masculine was well-captured.” Bruno: “It was like Mission: Impossible meets The Matrix.“ Carrie Ann: “That was a really tough routine, filled with content.“ Len: ”I'm pleased you’re safe for next week. The finesse was lacking.“

JUDGES’ SCORES: 30 (out of 40)


MOVIE GENRE: “Western”

DANCE STYLE: Samba




The scene is Peta’s Auto Body. Correct me if I’m wrong, but they didn’t have autos in the Wild West. So the theme is a bit of a reach.

It’s supposed to be “Western,” but it sure screams Steampunk to me. I think the song is Will Smith doing ”Wild Wild West” (not sure, but I hated the song). As usual, Peta does incredible, innovative and resonant choreography. The troupe, again as usual, is superb. (Can’t go wrong with Sharna and Jenna in your number.)

But in the package, Nick was angsty about his dancing.

Bruno: ”The line dancing was fabulous.” (The rest, not so much.)  Carrie Ann: “You nailed it.” Len: “When you’re doing that solo stuff, you looked terrific. Just dance.” Shania is useless as a judge. Ugh.

JUDGES’ SCORES: 26  (out of 40)


MOVIE GENRE: Sports movie

DANCE STYLE: Paso doble



We have a rare Dancing with the Stars first here. A Zamboni® on the floor. (With a shirtless Alan driving! heh) (Props to the amazing stage crew who replicated an entire hockey arena on the dance floor.)

Oh yeah, the dance...

Some of these pros pick excellent songs to dance to, which automatically makes their dances better. Val always picks great songs (even if he hated the Chumbawumba). Tonight’s song is Queen’s “We Will Rock You.” Set to a hockey game. SCORE!!!

Now THAT’s how to do a dance to a theme. Val’s phenomenal choreography and the whole hockey concept made even shy flower Victoria look tough. Val is incredible to watch, in top form. Great, great stuff. One of my favorite dances of the night.

(LOL. Victoria’s hockey uniform is emblazoned with ”PASO” and Val’s says ”DOBLE.”)

Carrie Ann: “It's amazing the way you went back and forth and you blended the style of movement from the pedestrian and athletic back into the paso. You were well-rehearsed. It was so tight.” Len: “It’s the first time I’ve watched a hockey game and seen the puck go into the net.” (The goal was HUGE, and right by Len.) “The concept was terrific. Overall, it was a great job.” Shania: “That was the most innovative hockey game I’ve ever seen.” Bruno: “It was very conceptualized, but I could see a proper paso doble.”

JUDGES’ SCORES: 31  (out of 40)

Not sure what this newspaper thing was all about...



MOVIE GENRE: Spy movie

DANCE STYLE: Jive



This jive had a few things going for it: Sasha doing some great physical comedy, for one! ;-) It was supposed to be a spy theme, where these two awkwardly steal a 10 paddle (so that Len would give them a 10). (Some of these people’s concepts work way better than others...)

The best I can say about this is that I really do love to see Cheryl Burke dance, and I’m glad she’s on this season.

They have the “stolen“ 10 paddle floating near Len, as he comments. Len: “It wasn’t quite Double-O heaven.” And yet, he calls it “the best dance of the night.” Shania likes that they were both in character. Bruno: “You’re becoming a better and better performer.” Carrie Ann: “Everything about that was sinewy and sexy. It was hot.”

JUDGES’ SCORES: 37  (out of 40) (They didn’t steal a 10 from Len, but Shania coughed up one.)

Then Shania Twain sang a song about soldiers. (Thank you all for your service.) But since she irritated me the whole show, I’m not going to run a pic of it. Also, there were no pictures of her with the troupe that danced to the song, so forget it. (Dancing: Jenna and Keo, Sharna and Alan, Gleb and Hayley, and other troupe members.)

MOVIE GENRE: Animation

DANCE STYLE: Jazz



Let’s remember and give a moment of silence for the sublime Argentine tango they danced last week, to a Pirates theme. Then, this.

It starts with all the judges having 3D glasses on. Oh boy.

Then, the theme is animated (nice, sweet) and the music comes out as some rough rap stuff. UGH.

I was hating this song so much. Then Sasha (and troupe members) showed up, and it got a little better, but this was easily my least favorite number of the night. UGH.

Tom Bergeron notes that it was “our first Worm on the show since Steve Wozniak, many years ago.” Frankie did the Worm Twice in this dance. UGH.

Shania (of course) “loved it.” UGH. Bruno: “I don’t know if I was watching Frodo on acid...” Carrie Ann: “It was entertaining.” Len: “Frankie goes to Hollywood. I think you threw in every step from the ’70s and ’80s you could think of.”

JUDGES’ SCORES: 31  (out of 40)


MOVIE GENRE: Movie musicals

DANCE STYLE: Quickstep



Oh, this was a wonderful dance. Vanessa had a bit of a wardrobe malfunction, and Tom Bergeron jumped in to scoop it up so they wouldn’t trip on it, but overall, it was a great dance. The troupe was awesome, as ever, and Maks and Vanessa seemed to have a great bit of fun together in this dance.

They danced to “Let’s Be Bad,” a very fun song.

Bruno: “Absolutely gleaming with theatrical pizazz, the glamor of a ’40s musical.” Carrie Ann: “It was such a fantastic performance.” Len says he’s debating whether to give them more than an 8. Shania, again useless.

JUDGES’ SCORES: 36  (out of 40)


Then, we had a wonderful bumper and promo for DWTS Live, the show that a bunch of people are (were) dancing in (left to right): Gleb and Sharna, Hayley and Sasha, and Jenna and Keo. Fun stuff.

MOVIE GENRE: Drama

DANCE STYLE: Rumba


So, let’s look back at Witney and Frankie’s mess. There was a bunch of colorful mushrooms, and bright colors. Only in the interview with Erin did I realize they were supposed to be playing Trolls. It was a muddled mess (IMHO) that wasn’t explained by either the music or the dance.

Contrast that with this. Simple staging. A guy in a dark suit. Rain on the windowpane. But from that (and from the music and the dance, and the white piece of cloth), one can deduce that he’s just lost his love, and he’s heartbroken. This is the kind of dance of the masters on this show. A dance yes, but also a story being told.


It wasn’t the most sensual rumba I’ve ever seen, but then, he was dancing with a ghost. But it was beautiful and it told a story, and that’s everything to me. Stunning.


Carrie Ann: “Everything is one movement... from the moment you started, it was one continuous motion. Like a wave of gorgeousness.” Len: “It was well-crafted.” Shania: blah Bruno: “Gripping, magnetic storytelling. You stretch every movement to the extent, and yet, it feels effortless.”

JUDGES’ SCORES: 39  (out of 40)


MOVIE GENRE: Sci-fi

DANCE STYLE: Argentine tango





Mark Ballas, for my money, puts together the most creative, expressive dances of anyone on this show. His mixture of music and dance is impeccable, and when you throw in crazy categories like “Sci-fi Movies,” he is more than up to the challenge. (As you can see.)

This dance just took my breath away, like so many of their dances. Incredible. Just incredible.

Len: “I know it’s science fiction, but let me tell you a fact. I thought the choreography was phenomenal. I thought the dancing was brilliant.” Shania: “I’ve never seen such sharp edges look so elegant.” Bruno: “Professor Ballas, you’ve created another work of genius! It reminded me of Fritz Lang’s Metropolis. But at the same time, it was an absolutely superb Argentine tango. It is the best dance of the season so far.” Carrie Ann: “You upped your game to something phenomenal. This is a side of you that I’ve never seen: so grounded, so strong. You slayed that dance. Well done.”

JUDGES’ SCORES: 40  (out of 40)

At this moment, and at so many moments during the season, I cannot imagine anyone but Mark and Lindsey winning this season. He creates what I consider the perfect dances. This was just amazing.

WHO GOES HOME?



Miche’s Favorite Dances of Movie Night
1. Mark and Lindsey (Argentine tango)
2. Val and Victoria (paso doble)
3. Lindsay and Jordan (rumba)
4. Vanessa and Maks (quickstep)
5. Emma and Drew (paso doble)
6. Nikki and Artem (Argentine tango)
7. Peta and Nick (samba)



************************************************************