Showing posts with label Season 26. Show all posts
Showing posts with label Season 26. Show all posts

Sunday, October 13, 2019

DTWS S026, Athletes, Week Four: And the Winner Is...


Oh, we’ll get to that in a minute.  First, let’s recap the show.


It opens with a quicker cut of the first show, when all the athletes were bathed in gold. They started with ten athletes, now they are down to 3. Cut to the three remaining stars.

“Who will win?”


Tom Bergeron and Erin Andrews (who looks stunning) refer to how “it seems like it only started a few short weeks ago,” (cause it did). And they tell us how this finale, which is normally a two-day, much-dragged-out affair) is now down to only ONE HOUR. Wow.  


So instead of bringing everyone from the season back to dance, the supercut at the beginning will have to do, right? OK.


We jump right in, with the story of Tonya and Sasha. Sasha Farber is long overdue for a Mirror Ball win, and Tonya Harding is in the midst of the comeback of her life. And they sure have some kind of magic together. “This has been a journey that I will always treasure,” says Tonya.


I think tonight’s format is basically going to be each couple gets a dance, then they dance their freestyles, then winners. Done.

Tonya and Sasha’s first dance begins with the set bathed in purple. Tonya stands alone. Sasha joins her. They are dancing a Viennese waltz. Now let me say this about that. Some people on this show do great Viennese waltzes, others have no technique at all. Sasha infuses his choreography with pure poetry and beauty. Beautiful, intricate arm movements, and the constant turns that are an integral part of Viennese waltzes. They are dancing to “Time of My Life,” and Tonya is just beaming through this. It is glorious to see.


At the end, he gestures to her. She takes a bow. Beautiful. (Just like they do in skating.) This is what Dancing with the Stars is all about. So graceful and wonderful.


Tom mentions how one of the best parts of this season is seeing Tonya’s smile. He says it really doesn’t look fake. She says: “It’s definitely not fake. This truly has been the time of my life.” She laughs and puts her hand on his arm. Tom: “That’s wonderful.” Sasha smiles.

Len: “I’ve got to be honest. You haven’t had an easy journey to this final: you’ve had a foxtrot, a quickstep, a rumba. Now, the Viennese waltz. You danced it with an elegance and a sophistication. Plus, you had great control. I loved those spins, then into those couple of whisps. Right on time, beautifully danced. Great start to the finale.” Bruno: “Absolutely. And add to that, I’m watching a born-again Tonya. You danced as if a weight has been lifted from your heart.” She nods yes. “Rejuvenated,” he continues, “radiant, enjoying the moment, going for it. It’s lovely to see, my darling. It really is.” Carrie Ann: “What a truly incredible journey this has been for you. I’ve enjoyed watching every step of it. What I find truly attractive about your dancing, every movement has real meaning to it. When you do this (she raises her hand above her head), you are truly expressing joy and freedom, and I think that resonates with all of us.”

JUDGES’ SCORES:  26 (out of 30)



Josh and Sharna are up next with a foxtrot. Their package expresses shock that they made the finals. Sharna talks about how the person of Josh is so different than the “beast” on the football field.  They are both attired in pale blue, and it’s all very dreamy.


Bruno: “Oh yes, the Beast has been tamed by the Beauty. Like a real prince. Dashing, debonair, self-assured. You’ve come so far. It really is a shame this season is so short.” Carrie Ann: “I think that you really bring to life what this whole season is about: being competitive and bringing your excellence to a new form of art, and I see the art that you bring on the field here. There’s poetry now that wasn’t there when you first started. You really brought the ballroom spirit to life. You did an excellent job.” Len: “Throughout the competition, you’ve had an ease and an elegance about your dancing. And this was no exception. Great performance.”

Erin talks about what a fierce competitor Josh is “on the gridiron.” She asks him what it’s like in the ballroom tonight. Josh talks about how great Sharna is, and Erin says: “Love it. Love the teamwork.”

JUDGES’ SCORES:  27 (out of 30)

Josh says their Freestyle is “going to be epic.” Josh asks Sharna: “What’s the big word?” Sharna says, no joke: “Supercalifragilsticexpealidocious.” Erin: “Wow. All Mary Poppins up in here.” Tom deadpans: “All of us here at Disney appreciate that that is the word you chose.”


Adam and Jenna talk in their package about how in sync they are. Adam: “She has taught me what being a kind and dedicated teacher can be for somebody. She’s one of the coolest people I’ve ever met.” As he says this, they show them, butts up in the air, finishing a dance. They are in polka dots, head to head.


(Adam says: “Yes!”) After the package, they launch into a jazz version of “Anything You Can Do.” Simply awesome. They get a standing O from the audience.


Carrie Ann: “You need to take that to Broadway. I see Broadway in your future, my friend. You two are like the Wonder Twins of dance. Together, you save the world. End of story.” Len: “Fantastic.” Bruno: “It was so exquisitely theatrical. It had wit, humor, but technically, it was brilliant. Your timing and partner work is flawless. Excellent.”



Tom asks Adam if the show met his expectations. Adam: “Even above and beyond everything that I thought it would be. And I think I owe that a lot to Jenna. I owe that to everything that she’s brought into my life in this crazy time.” He hugs her, as they are both emotional.

JUDGES’ SCORES:  30 (out of 30)

They do have the other contestants from this season up in the Balcony, suited up in their original gold suits from the first episode. They appear to be cheering on the other contestants who are now the three finalists.

At the half, our leaderboard shows Adam and Jenna leading, with a perfect 30. Josh and Sharna follow with 27, and Tony and Sasha are in third with 26.


Sasha says that he wants their Freestyle “to feel like a celebration, a celebration of Tonya.” Tonya, in talking with Sasha, says that what got them through the negativity and the hate (that was there at the start) “is America.” She says: “The amazing change in people’s hearts is what’s keeping me going. I never thought that I would feel this alive again. America pulling for me has definitely changed my heart one more time.”

Then, Tonya drops down, out of the ceiling, in a purple outfit, surrounded by a purple curtain, dancing (fittingly) to “I Will Survive.” Lots of flips and spins and gymnastic/skating moves in this Freestyle. So great.



Tom talks about the (possibly scary) idea of bringing her down “from the Jumbotron.” She says she “wanted to go for it.”

Len: “If you can survive that routine, you can survive anything. It was full of fun, full of energy. You chucked everything you could think of into one and a half minutes of joy. It was terrific.”


Bruno: “She was dancing as if her life depended on it.” Carrie Ann jumps out from behind the judges’ stand to give Tonya a big hug. “I love you,” she keeps saying to Tonya. “I love all the Freestyles I’ve seen in 26 seasons, but that was so much fun. Cartwheels, way to go! Freestyle is all about impact. You made an impact.”

Tom asks Tonya how she felt, “cause obviously it worked for the room.” “Absolutely amazing,” says she. “This was my last dance, and I’m here to prove I belong here.”

JUDGES’ FREESTYLE SCORES:  30 (out of 30)

Tonya and Sasha are thrilled to get their first perfect score for their last dance together.


Sharna says: “Josh sees it as a positive that he’s an underdog in this final.”

Their Freestyle is football-themed. Lots of great work by the troupe, but I’m already liking it less than Tonya and Sasha’s. There’s a line in the song to “walking on water,” so of course there is water in the dance. *eyeroll*


Bruno, coyly: “You're wet. (pause) That was such a strong performance. Heroic. He was the leader of the pack. You know who was the boss in that dance? You were.” Carrie Ann: “First of all, I have to say, Sharna, that was maybe the most incredible piece of choreography you have ever done. It was so powerful and so fitting. I saw a champion out there.” Len: “There’s no way you’re the underdog in this final. I had so much fun tonight. This was just great. I loved the drama of it.”

JUDGES’ FREESTYLE SCORES:  30 (out of 30)

Then, they show Josh running into Artem in rehearsal.


So, there was this, which I really hated... In some ways, it did build on where they started in this season. The song, I think, was “Scooby Doo Pa Pa.” It’s obviously way advanced dance for me.

Carrie Ann: “Your style was incredible. It was brave. It was definitely a choice. You have led this competition with incredible dancing. You have been such an incredible performer.” Len: “What it lacked in convention, it made up for in invention. But I’m an old ballroom guy.” Bruno: “It was a high-style freestyle.” (They all hated it too.)

JUDGES’ FREESTYLE SCORES:  28 (out of 30)

Seriously, I didn’t think it was one of their best dances this season.

They bring out all the season’s dancers, for a big finale dance, choreographed by the wondrous Mandy Moore. (Thankfully, it’s not too complicated.)

Then, they bring out the final three.

Results? They are only naming the winner.


Proving that once again, America’s votes count for a lot... It’s Adam and Jenna.




Miche’s Favorites Single Dances
1. Adam and Jenna (jazz)
2. Tonya and Sasha (Viennese waltz)
3. Josh and Sharna (foxtrot)

Miche’s Favorite Freestyles
1. Tonya and Sasha
2. Josh and Sharna





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Sunday, September 22, 2019

DTWS S026, Athletes, Week Three: Picking the MVPs


This spectacular opening number once again bears the mark of (as Tom calls her) “Emmy-winning choreographer” Mandy Moore. Just a fantastic dance with all the male pros and female pros, and the troupe, to start. Then they introduce the “guest mentors,” Nastia Lukin, Von Miller and Meryl Davis. (in the middle of the dance). And then, a rousing welcome to tonight‘s guest judge, David Ross.

The blue costumes harken back to the old days of DWTS, with the added red shoes  (on the women) to modernize it a bit.

They are calling this week, “MVP Week,” a moniker I really hate. Guess it’s tying back into the Athletes/sports theme.

MIRAI’S MVP: Her mom


Mirai and Alan, quickstep

So, it’s funny how a couple weeks ago, Mirai said she had “never seen” Alan on DWTS before. But when they go visit Marai’s mom and dad in the package, her dad says: “OMG, I saw you on TV. A big star!” Alan laughs modestly.

Alan and Mirai are still not in their costumes as we go to break. So Tom stalls for time by introducing David Ross again: “The man with more wardrobe changes than Cher.” (He’s already in his second outfit.) The four judges are all holding the DWTS number-one fingers.

They dance the quickstep to “Boss” from Fifth Harmony, although Mirai doesn’t say that her mom (whom she’s ostensibly dedicating this dance to) is the Boss, just that her mom taught HER how to be the Boss. Um, ok.

It’s all gold, and looks like a big casino. Thank goodness for the troupe. (Lovely Lindsay Arnold joined them.)

David Ross: “You are a boss. That was impressive. I love the quickstep, one of my first favorite dances. You killed that, Alan. Your mom’s love empowered you, and it showed tonight.” Len: “ What I liked was you didn’t mess about. You came out, all guns blazing, full on, attacking the dance.” Bruno: “Bright, light, buzzing. It was like watching a firefly in full flight. I loved the energy. I loved the visual impact.” Carrie Ann tells Mirai‘s mom (in the audience) in Japanese that she did really well. “You did fantastic. You’re on a roll.” She then proceeds to tell her that “when you dance in a group, you were not paying attention to everybody.”

Tom notes that it’s actually the semifinals.

I really hate Mirai’s arrogance, I’ve gotta say. It’s just something that’s not done on #DWTS. Ugh. She’s talking to Erin, and says: “I wanted to start the show off with a bang so that my competitors have somewhere to go.” One thing that Mirai is severely underestimating here is that the vote of America is a large part of one’s score. And America doesn’t like arrogance AT ALL.

I’ve never seen Erin open-mouthed like that. Ugh. Enough of this twit.

JUDGES’ SCORES: 35 (out of 40)


This was actually just a bumper, which gave Meryl big credit, even though the most stunning move was Jenna’s. (Jenna and Alan were dancing with her.)


This move, where Alan flips Jenna around from THE FRONT. Incredible stuff.

JENNIE’S MVP: Her husband


Jennie and Keo, Viennese waltz

Keo always seems so uncomfortable with his partners. Here he is in the package, down in Louisiana, on Jennie‘s farm, telling her some BS about how last week “was awesome,” instead of: it was a train wreck that we barely pulled out, which is the truth.

They show extended perfection pictures of her perfect husband, and gorgeous kids. Her husband calls her an angel. (Gag me.)

They dance a Viennese waltz to a Tim McGraw-Faith Hill song, “The Rest of Our Life.” It’s really beautiful, and I’ll bet that after last week’s meltdown, the producers talked to her about choosing music that more reflects her tastes.

The dance is really beautiful, gorgeous set and costumes. At points in hold, Keo looks miles away from her (not close body contact, as it’s supposed to be). The set is shimmeringly floral, with petals falling. Her husband Casey steps up with a bouquet for her at the end. So sweet.


Len: “I like the soft, sweeping movement of it. It had an elegance about it.” But he also notes that they should’ve danced more in hold. Bruno: “I noticed that you actually start to trust your partner.” (BWHAHAHAHAHA) Carrie Ann: “What I love most about you is you really do embody what this show is about. When you dance, I love the joy. You expressed true joy. That draws us all into what you are doing.” David Ross (baseball player to softball player): “You remind me so much of my journey on this show. It’s very difficult to get outside your comfort zone. I’m super proud of you. I loved that frame you were in. So beautiful.”

JUDGES’ SCORES: 29 (out of 40)

Nastia Lukin comes out, awash in pink, to dance a swing number with Sasha and Keo. Great choreography. At the end, she doesn’t seem to know what to do with her hand. Sasha grabs it and puts it around his neck. Then, she gets the hint, and puts her other one around Keo.

Chris’ MVP: his mom


Chris and Witney, foxtrot

Chris’ mom is “a superfan of the show. She’s always watching Dancing with the Stars. She loves the choreography, she loves the dancers, she loves the costumes. She loves everything about the show.” They show her hobnobbing with Tom Bergeron (the first place I’d go if I were ever backstage there).


They foxtrot to a great classic, “I’ve Got Rhythm.” They have a bit where they dance atop a piano. The troupe helps make this dance. Chris pulls his mom into the dance at the end. Chris tells Tom, “That was the best Mother’s Day ever. How do I top that?” Cut to his mom, swooning in her seat. Tom: “It’s gonna be tough.”



Bruno: “I’ve been razzle-dazzled by that foxtrot.You’re so dashing, you have such verve. There was a little bit of Fosse there, there were elements of Gene Kelly there. As an interpretation of a theme, it was outstanding. The choreography, the way you built up to that fantastic finale, with the hats, was brilliant.” Carrie Ann: “It’s a showstopper. Right, Mom? You were dancing up and down, vertical.” Then, she gets in this thing, and keeps saying, “balls to the walls.” She can’t stop saying it. Tom has to come over and say, “When you’re in a hole, stop digging.” (I swear sometimes I really think Carrie Ann needs medication.) Then she gets a grip on herself and says that she has to count off for the lift, which Chris says was “a catch.” Carrie Ann says it’s a lift because he didn’t put her down immediately. David: “Coming from a baseball player, great catch. I know how scary it is, dancing by yourself. It was a great routine. Props are difficult. Love the hat.” Len: “I’ve gotta say, the tune’s ‘I’ve Got Rhythm,’ but there wasn’t a lot of rhythm. It was a bit wooden. However, once you got into the routine, there was plenty going on. There was elements of quickstep. There was a little bit of foxtrot there. The whole thing was full of entertainment.”

Ouch. The whole dance was supposed to be foxtrot.  “A little bit of foxtrot”? (It’s true. It really was more ‘jazz.’)

JUDGES’ SCORES: 33 (out of 40)

After the scores, Witney pulls out the old trope that “we just wanted to entertain. That’s what the show is about.” And yet, some pros do manage to use the steps of the actual dances they are dancing, and “entertain” us. Len’s 7, I thought, was the only accurate score.

Von Miller dances with Sharna and Witney in a quick bumper.

Tonya’s MVP: her dad (“my daddy”)


Tonya and Sasha, rumba

In their package, Tonya talks about how she lost her dad nine years ago. “He always gave me 100% unconditional love. He loved his little girl. And I loved him. I miss my dad so much.”

I just gotta say it. It’s always weird to me when people do a rumba (sexy dance) to pay tribute to their dad.

Luckily, sometimes they do it in an ethereal, dreamy way, like this one. She walks out, looking at pictures of her dad. The lyrics start with: “when I see you again.” It was beautiful.

Tonya says: “I brought him onto the dance floor to show everybody what real love is. Stop hate.”


Carrie Ann: “There’s no better way to pay tribute to someone you love than to dance with your heart like that. When you dance with your heart open, there’s an authenticity to the way you dance. A gravitas that I love to watch. I think your dad is not alone, when you say he was in your corner? I think we’re all in your corner now.” David: “People don’t know how hard it is to watch that kind of package, and get out here and do what you just did. That was very inspiring, that was very emotional. And I’m very proud of you. That was awesome.” Len: “What I liked? I liked the light and shade. It wasn’t at one level. There was speed, then it went a little bit soft, then into the dance again. You coulda done with a bit more hip action. But the whole package? Full of emotion. Full of lovely dancing.” Bruno: “Very nice flow. Great musicality. Your lines are getting better.”

Erin talks about how emotional the dance was, then asks her what it would feel like to get into the finale. Tonya: “It would mean the world to me. Whether I win or not, doesn’t matter. What matters is that I’m here, and having a wonderful time. And I don’t want to leave.” Erin asks her about the public support. She motions to Sasha. “You feel like it’s your job to take care of her, and to go through this journey with her, which all of you guys do, with all our stars that we have on the show. But (to Tonya) the support from the public, what has that been like for you?” Tonya: “It’s been amazing. Thank you, America, from the bottom of my heart. Thank you.”

JUDGES’ SCORES: 33 (out of 40)


Adam’s MVP: his mom
Courtesy of Just Jared. And ABC.
Adam and Jenna, contemporary

And then there was this.

Adam talks in the package about his mom, a single mom of six kids. Wow. They are dancing to a Coldplay song that Adam skated to.

Anyone who reads this column knows I don’t really like contemporary at all, and really hated the day they brought it to DWTS. However, Jenna’s mind-blowing choreography takes it to a whole new level. She really does contemporary as an artform. The dance was stunningly beautiful, as she and Adam portrayed two birds.


First, they are chicks in a cage, then, they grow up to leave the nest. They fly and they are beautiful birds together, and you just had to see this amazing dance.


Just visual poetry. So beautiful. Landmark DWTS dance. Very powerful. A great tribute to his mom.

As they stand by Tom, Adam and Jenna hug. It’s obviously very emotional for them both.

David: “That was beautiful. Just felt so connected through your dance, whether you were together or apart. That was, by far, my favorite dance of the night.” Len: “Obviously, I liked the emotion of the dance. It had great control, mixed with flair. It was a little bit stop-start on occasion, and spiky. I’m not a great fan, but it’s the best dance I’ve seen tonight.” Bruno: ”Oh, my darlings. You were like two birds of paradise, mesmerizing and enchanting. But what is extraordinary is how in tune you are, with  each other, and with the music. You’re like the same instrument, playing simultaneously. It’s impossible to tell who’s the professional.” He compares it to Matthew Bourne’s Swan Lake, “a masterpiece, and this is a masterpiece of a dance.”


Carrie Ann: “Most impressive is that choreography, as fluid and as easy as you made it look, very challenging. Jenna was wobbling on occasion. That’s how challenging it was. I love that you push yourself that hard. What is amazing is that I just wanted to thank you. This is why artists create: to have moments like this, where it’s just pure perfection.”

Erin talks about watching the dance with everyone (backstage): “There wasn’t a dry eye. It’s gorgeous.” Erin: “That was beautiful. You look gorgeous. Thank you for taking us through that journey. You are clearly emotional right now. I know this is your song from the Olympics. What is going on with your eyes, these tears?”

Adam: “It’s crazy. The only thing I’m thankful for is that I’m a beautiful crier.” Jenna laughs. Adam: “It’s so hard to watch that package before you go out and dance. But I channeled so many things. Like my memories at the Olympics, my mom being here. It’s incredible. And Jenna was able to pull all of that together. I think it shows how amazing she is.” (Agreed!)

JUDGES’ SCORES: 39 (out of 40)

Erin: “Speechless. It was absolutely gorgeous.”

Who gave the one 9? Of course, Len. I think what he was miffed about is that it was much more a So You Think You Can Dance dance than a DWTS dance. But one assimilates the art one knows, and it becomes part of you. And, for better or for worse, it is now part of DWTS. Sorry, Len. Many would argue (and have argued) that Len is part of the old guard, and DWTS needs new blood.

Well, they sure have it with Jenna. She is living proof of why they needed to add contemporary to the dance palette here. To present us with breathtaking artworks like that.

We come back to a steamy bumper with Gleb, Emma, Lindsay and Artem. Whew. (Quite wonderful.)

Josh’s MVP(s): his four brothers


Josh and Sharna, contemporary

Sharna, in the package, says she thinks last week’s 7s were “too harsh.” (Agreed.) Josh talks about his four brothers being his MVP(s). Josh: “I feel like having brothers made me become a better football player.”

They dance contemporary to “Stand by Me.” His brothers are on the sidelines, watching.


It was a beautiful, gorgeous dance. There is an amazing lift right in the middle.

Len: “I was concerned. After Adam’s contemporary, I thought ‘Uh oh, here we go.’ (Len obviously hates contemporary as much as I do... usually...) But I’m gonna say this. It was different to his, but there was a beautiful fluidity about the whole dance. The lifts were seamless. The entries, the exits. I liked it so much.” Bruno: “Strong, assured, confident. But what you did, you took such great care of Sharna. It was loving. And it was reassuring. It’s all very well getting it up, but it’s the dismount that’s hard. Usually what happens, you lose the flow of the dance. You never did. It was all seamless. It was extremely musical.” Carrie Ann: “We don’t normally agree on contemporary dances, but I absolutely agree with everything Len said. There was a sure-footedness about you that made me have peace watching it. You did every movement with so much love and concern for Sharna. And every lift was impeccable. I've never seen that lift before, executed that way. You were on fire. You were in the zone.” David: “One word: smooth. As smooth as you could ask for. That was beautiful. I know how hard those lifts are. I almost dropped Lindsay a couple of times. But that was very smooth and elegant. Nice job.”

JUDGES’ SCORES:
 36 (out of 40)


Now they are doing some craziness, called Ballroom Battles. I hate these distractions.

They talk about some kind of Passion Meter, “so you can see how you’re voting in real time.” And by real time, they mean the East Coast and Central time zones. So, whatever, says this Pacific time zone fan.

I’m just gonna go through this quick.

Jennie/Keo vs. Tonya/Sasha

My money’s on Sasha in any battle. Of course, they do more elaborate tricks and moves (IMHO).

POINTS: Tonya/Sasha

Adam/Jenna vs. Mirai/Alan

For my money, Adam/Jenna just steamrollered the competition. Mirai and Alan were fine, but Adam and Jenna just have a special magic this season. They were more in tune with the music, too. I always prefer it when the dancers acknowledge the lyrics in a dance. That was so good.

POINTS: America (ET and CT only) breaks the tie. It’s Adam and Jenna.

Chris/Witney vs. Josh/Sharna

That was tough, but I’d give it to Josh/Sharna by a hair.

POINTS: Another tie, broken by America. No, wait. David held up the wrong paddle. Josh and Sharna win.

OK. Who’s going home?

First, who’s “dancing in the finale”?

Adam and Jenna. (YAY!!!!)

Tonya and Sasha. (Double YAY!!!)

and....

Josh and Sharna.

The rest are going home.


MICHE’S FAVORITE INDIVIDUAL DANCES OF WEEK THREE
1. Adam and Jenna, contemporary
2. Tonya and Sasha, rumba
3. Chris and Witney, foxtrot
4. Mirai and Alan, quickstep

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Sunday, July 7, 2019

DTWS S026, Athletes: Tonya Harding Returns as Emotional Center of Night One


So, a strange thing happened between the last season of #DancingWithTheStars and this one. ABC/Disney bought American Idol. What this means, and has meant, in practice, is that the solid franchise that is #DWTS gets kinda short shrift as they make room on their schedule for the monolith American Idol.

The very first visible casualty of this decision is this. Dancing with the Stars: Athletes. (An entire cast of just athletes.) In concept, that's all well and good. In practice, the regular DWTS season is shortened from 11 weeks to four. I am among those not at all happy about these developments. At the time Athletes started, I had not watched one minute of American Idol ever. Also, I am, as anyone reading this column knows, a HUGE DWTS fan.


But, all of that being said, here we go. The first “Athletes” shortened season of DWTS begins. Athletes because a good chunk of the early weeks of DWTS (regular) is teaching these non-dancers what rigorous training is all about. Athletes already know that. (Although they don't necessarily know what DANCE training is all about...)

So, for example, in this opening number, they have the first contestants as part of the dance, which actually works. Each one gets a spotlight over them, and some nod as to what their sport is, and their part in it. All ten competitors are all clothed in sparkly bronze outfits.

They also have Tom and Erin behind a broadcast booth, doing color, which is kinda funny, cause that's what Erin does in the DWTS off-season.

The judges dance out dressed as referees. Bruno in short shorts, of course. ;-) All of this to a Queen “We Are the Champions/We Will Rock You” medley. My favorite part of the dance is when Kareem Abdul-Jabaar comes out (all 7 or 8 feet of him) and Sasha tries to high five him. Other dancers have to lift Sasha up to do it. Makes me laugh. Great stuff so far.

Tom and Erin come down on the floor, which kinda looks like a giant football field, complete with Jumbotron®. Tom: “Look what they've done with the place.” Erin, the football sportscaster (now in a resplendent red gown): “I love it.” Then, they tell us that TWO couples are going to be eliminated tonight, due to a “live” vote (which means only East Coast people can really vote. We West Coasters don't like this AT ALL). We have barely gotten to know anyone yet!

The crowds are cheering so loudly in the ballroom that Tom and Erin can barely hear each other (not a great idea). But, here we go.

WITNEY AND CHRIS, the silver-medal luge athlete


We have a luge package, describing what it is luge competitors do. And Witney is extremely impressed with Chris‘ toe point. Also, it‘s pretty great that ABC covered the Olympics, cause they now have lots of great scenic footage of athletes to use on DWTS.

Witney tells Chris they are going to do a salsa, and his hip-swiveling attempts are painful.

I have to give props to the graphics team, because each graphic introducing each couple is beautiful.

But, as usual with Witney, her music sucks. As usual with first-night men, his hip action leaves lots
to be desired. However, his open shirt (I’m sure) goes a long way with Bruno. He does get points for attempting all these lifts though. Lotsa dry ice smoke going on.

In fact, you can barely see the judges from all the dry ice that was used on the stage so far. Bruno mentions that he’s “an expert laying down.” We know, Bruno, we know.



Len starts out with: “What a joy for me to be among fellow athletes,” which makes me laugh out loud. (Oh, he meant that.) Len was impressed with Chris (so was I). This is also the season when I realize that Len ends EVERY contestants’ judging with: “Well done.” (Even if he hates it and thinks it sucks.) Bruno, of course, likes that Chris decided to open up his shirt in the first number. “I like what he does already.” This cracks Carrie Ann up immensely. “The king of luge gets into the groove... you really had very very good action.” (No, he didn’t, Bruno is just still swooning from his open shirt.) Carrie Ann, waving a gold pom-pom,  is also enamoured of the open shirt. “I think I speak for all the women... Woo hoo! You are incredible. The choreography was jam-packed. You did not take it easy on him at all, Witney, which I appreciate, because there's only four weeks. I think you have so much potential. You have star quality. Great movement, great rhythm.”

JUDGES’ SCORES: 21 out of 30 (Amazing first scores)

They broadcast the score on a mock Jumbotron, which Tom says "We shoulda had one of those a long time ago." (It's actually VERY high up, so I don't suspect they will have it after the Athletes season.)

LINDSAY AND KAREEM, “the greatest center in the history of the NBA”

What do you do with someone very very very tall? Well, this.
Erin, in introducing these two, reminds us that Lindsay is “the reigning Mirror Ball champion.” Kareem reminds us that he was in the game for 20 years, and for those Millennials who may not even know him, he also reminds us that what he was known for was called “the Skyhook.” He also says that he is the all-time leading NBA scorer. But since then, he has published 14 books (WHAT?), was awarded the Presidential Medal of Freedom by President Obama, and is now on DWTS. Wow.

He says he’s 7-foot-1 “and some change.” Lindsay says she’s 5-foot-4 “and no change.” Then, they show Kareem and Lindsay chatting up Magic Johnson in the Lakers big offices (with all the trophies around) and Magic once again talks about “the Skyhook” and how they used to “put on a show.”

Kareem (now in his 70s) says, “I might have old feet, but I do have dancing feet.” As we are about to see, um, no, no, he does NOT.

Kareem and Lindsay are both wearing gold, with Lindsay clutching a gold basketball to start. Stevie Wonder’s “Signed, Sealed, Delivered” starts playing. The massive gold basketball backdrop says: “The Skyhooks.” Then you see that Lindsay is standing on a huge purple platform to appear to be Kareem’s height. The gold troupe dancers (and Lindsay) basically dance around Kareem like he’s a Maypole.



He is easily one of the worst dancers that I can remember in a long, long time.

Bandleader Ray Chew, being acknowledged by Tom Bergeron, gives a Wakanda salute.

Bruno: “How can I possibly criticize a national treasure? So much going on around you, it was like a party on New Year‘s Eve. But you didn‘t overdance. You kept it very simple.” And by “simple,” he means the man barely moved. OVERDANCE? hahahaha I can‘t wait for the other judges’ variations on “You really sucked.” Carrie Ann: “As a performance, this is right in the zone of what our audience really loves. Everybody’s been waiting to watch you entertain us, and dance for us. You were surrounded. So much energy. It was wonderful. You sir, could get a little groovier.” Len: “If I was scoring purely on admiration (PUKE), you would get a 10 from Len... You need to loosen up.”

Erin is totally fangirling out over Kareem.

JUDGES’ SCORES: 17 out of 30 (More than generous)

Then, Tom points out Val Chmerkovskiy’s bright orange jacket (he is sitting in the audience, not competiting this time around).

After the break, Val and Tom have switched jackets. (They both still look great.)

KEO AND JENNIE, “the greatest pitcher from the greatest softball team of all time”



They show Jennie winning the gold medal for softball. Then, they show her on her ranch in Louisiana with her cattle and goats and her kids.

Jennie and Keo do a foxtrot, with our favorite house with a picket fence. The song is terrible. Way too much talking. The dance looks awkward and choppy to me, but she looks very pretty. And awww, her kids join her at the end.

Carrie Ann: “That was such a joy to watch. (Especially after that train wreck that was the Kareem dance, I bet!) I sense your competitve nature, and I think it's going to take you very far. Try to rely on him just a little bit more.” Len: “Foxtrot is a tough dance. You did a good job.” Bruno: “Abandon has to be controlled, especially in dances like the foxtrot. It’s all about maintaining control. We wanna see sophistication and elegance.”

There is something that was cut out of Keo’s comments for the West Coast feed. Not sure what it was. (I didn’t think they cut out anything. Must’ve been rude.)

JUDGES’ SCORES: 21 out of 30

We come back to the crowd doing the wave, while “We Will Rock You” plays.

ARTEM AND JAMIE, “two-time Olympic gold medal snowboarder”


Her package shows her, in snowy lands, walking around. And snowboarding, of course. “It feels pretty badass to be a professional snowboarder.” They show Jamie doing an interview. She says, in the California way, “I’m really hoping and praying that my partner is really good vibes to be around.” (Boy, I wouldn’t say that about Artem...) And then, in he walks.

I would seriously like to slap the producer that saddled this poor woman with the Viennese waltz in the first week. WHAT WERE YOU THINKING?

Ugh. But they try it anyway. She looks totally panicked and terrified (as she should. It’s arguably the hardest dance on this show.) “I really underestimated this whole situation,” she says. (Well, in fairness, MOST people who come on this show say that. They really really don’t get how hard this all is, until they get there and start trying to do it.)

The set, as you can kinda see above, is a snowy replication of the footage we had just seen. And she does look beautiful in blue. Still. It’s a hard dance.


Len: ”Viennese waltz is like freshly fallen snow... (Now he’s got her attention.) It’s smooth. This was a bit skippy on occasion. Especially once you got in hold. There was an elegance about your dancing.” Bruno: “You started very well. It was like watching Elsa on Frozen (sic).  But then you hit a slippery patch. Whatever you do, don’t show it. Never lose the flow.” Carrie Ann: “You’re way more elegant than I think you think you are. There’s a beauty that comes out of you naturally. There’s an artistry to you. You were nervous, and you were rushing. That’s what messed you up. That’s it. There’s a lot going on. That is a very challenging dance.”

Jamie: “Artem is so good at dancing and all of it, and I’m a little bit intimidated...” Erin: “If Artem went into a snowboarding competition, let’s be candid. He wouldn’t be as good. Our dancers are really, really good. I’m just going to break it to you. They’re amazing.” She asks her how it is to partner, when she does a solo sport. Jamie: “It’s definitely out of my comfort zone. But it’s so fun to take on a new challenge. Artem has been really patient with me.”

JUDGES’ SCORES: 19 out of 30

We have an excellent salsa break from the amazing troupe (Brit, Hayley, Artur and Brandon) to bring us back from commercial. I really appreciate the troupe a lot in these moments, to show us what the dance is supposed to look like.

ALAN AND MIRAI, the bronze medal figure skater



They show her skating. She talks about the triple-axle, and how two women were the only ones (Tonya Harding being one of those) to land a triple axle in competition. Then she says, “But I guess I snatched the crown for the first U.S. lady to land it at the Olympics.”

I really don’t like this chick’s attitude. Sass and trash-talking doesn’t get you far on this show. Humility does. So Alan, at their first meet, is gushing: “I saw you on the Olympics,” and she says, “I’m so sorry, I never saw you on Dancing with the Stars.” :-0  Wow.  (In Alan’s defense, he’s had some really memorable dances on DWTS, so she’s just not watching enough.)

They show Mirai and Adam Rippon at the Olympics, and say that they are “best friends.”

So Mirai and Alan do a salsa, better than previous competitors.

They are both in pink. They excel at the spins and twirls. They even do several lifts!

Bruno:  “Well. That was a spicy, crispy cracker of a salsa.” Mirai butts into judges’ comments: “We’re Team Fire, Ice and Spice.” Bruno continues: “Actually, you did (the tricks) very well. It’s hard to land and maintain the rhythm. That’s the hardest thing to do. You did it. The armography was very good.” Carrie Ann: “You’re a boss out there. You owned that dance. We only have four weeks of competition. Everything matters. Watch your head bopping. You don’t need to do that. You need to be a little bit calmer, more one with the dance.” Len: “It was full of vim, vigor and vitality. The lifts were great. I could say that maybe there was a few too many tricks, however,  I can't because the dance was so terrific.”

Erin asks if her ‘bestie’ can keep up with her. Mirai: “We wanna go to the finale together, so America, vote for us.” Erin: “Wow. And my job here is done.”

JUDGES’ SCORES:
 23 out of 30

Tom says he’s calling this season a “seasonette.”

After the break, Tom introduces “reigning champion” Jordan Fisher in the audience.

GLEB AND ARIKE, the “buzzer beater” basketball player for the University of Notre Dame


She says she’s excited to be the first college athlete on the show. Gleb tries to shoot a few hoops. Arike: “I think he’s a better dancer than a basketball player.” Gleb tells her they are dancing a salsa.

“Dancing is way harder than I thought,” says Arike. “I need to loosen up a bit.”

Gleb tries to put her (as all women dancers) in a pair of heels. She rejects that, and insists on wearing her tennis shoes. “How can I dance in them, if I can barely walk in them?” Well, maybe for the salsa, but that look sure isn’t going to fly for all dances.

Once again, for the dance, they give the basketballer a basketball. The set is a college locker room. There are quite a few troupe members onstage. The dance, to me, is a train wreck. Painful.

Carrie Ann: “I’m really impressed. You have a real ease with yourself on the dance floor. You’ve got your own style. You know what works. You’re really loose. It’s really comfortable watching you. I want to see you in heels, though. You’re in Dancing with the Stars. You gotta do what we do here. Put the heels on next week. This week, it’s a pass.” Len: “It was fast-paced. It was energetic. Just what you want from an athlete. I would’ve liked to see a little more hip action. You need a little bit more gear in the rear.” Tom doesn’t let that “gear in the rear” comment pass. Bruno: “You were shaking it up, there, girl. As a performer, the hardest thing is to draw people in. And you drew me in. You had your own individual style, and it worked with the salsa.” He criticizes her shoulders for being stiff.

PET PEEVE ALERT Tom asks Arike to tell Erin her schedule “for the next 12 hours.” She talks about going to Chicago, and how she has a project management class in the morning. HONESTLY! WHY can’t they get people who have clear schedules who can just do THIS? Sheesh.

JUDGES’ SCORES: 20 out of 30

JENNA AND ADAM, the bronze medal figure skater


Adam, in his package, calls himself “the first openly gay American Winter Olympian.” They show Adam on the ice at the Olympics. They show Jenna come up to Adam in a locker room. They both start screaming. Jenna said when she met Adam, “it felt like we had known each other for years. Immediately, there was a connection and a chemistry.” Adam: “I was feeling like a dancer. Jenna and Gene Kelly.” He is the first competitor to say he wants the Mirror Ball. They cut to a mirror ball above his head. “I want that. In a trophy form, in my house.”



 Cut to Adam onstage at DWTS for the first time, with two GIANT sparkling angel wings behind him. Adam and Jenna are dancing a cha cha. This is easily the star performance of the night. Their chemistry is really apparent. They seem to play off of each other. (They do this “Vogue” thing in the middle that is just stunning.) The song is perfect for them.  It’s really a joy to watch this dance.


They both end up, kind of upside-down. It’s truly awesome.

Jenna has long been one of my favorites. She always stood out to me as a troupe dancer, with her presence and her smile. But as a pro on this show, she never really clicked. Boy, that ended with this dance. What they have is truly magical.

Len: “I think that was good. It was sharp. It was crisp. It was clear. The whole thing was full of cha cha content. I really enjoyed watching it.” Bruno: “Oh, Adam. The angel of the dance floor, with the hip action of a devil. Everything I like. What is amazing is the finish of your line, and your synchronicity with your dance partner. On Week One, to achieve that level is quite extraordinary.”



Carrie Ann: “You were born to do this show. I know you are an amazing skater, but this is your thing. That was fantastic. So polished. So precise. You guys are a match made in heaven.”

JUDGES’ SCORES: 24 out of 30

As they are introducing them, Erin calls Emma, a “brand-new bride.” (Emma and Sasha are one of my favorite couples in the world. They are just so cool together.)

EMMA AND JOHNNY, the World Series baseball player (outfielder)


Johnny is the second baseball player they've had on DWTS. They are dancing a foxtrot. Once again, Emma scores with the best music (with “Put Me in Coach”). Well, other than the Steive Wonder.


Such a fun dance. “Look at me, I can be Center Field...” (and he is) Awesome.

Bruno: “From the field of dreams onto the dance floor... Did it all go smoothly? No. But it was a very complicated routine, a dance that is very demanding. Footwork, posture, frame, timing. All things have to gel together, effortlessly. Was it effortless? No, but it will get better.” Carrie Ann: “You’re adorable. There’s something so likeable about the way you dance. You put so much effort into every move. Get that frame right, and it’s gonna look great.” Len: “The problem is, once you get into hold, it’s difficult. You gotta get in hold, and that was the bit that I didn’t like. It’s a very technical dance. First week, to come out and do the foxtrot, I salute you.”

Tom has a question for “newly married” Emma. He wants to know if competing with Sasha is “going to hurt the marriage.” She basically says, as long as I score higher, it’s fine. (Course, this is also her one Mirror Ball to his zip... SO FAR...)

JUDGES’ SCORES: 18 out of 30

Tom wonders how “her husband will do?”

Hayley, Morgan and Brit dance us back with (I think) a nice cha cha bumper.

Tom: “Right now, Emma’s other half dances with the first American woman to ever land a triple axle in competition. Before Sasha Farber takes the floor with silver-medallist Tonya Harding, let’s find out why she took up the challenge of this demanding season.”

SASHA AND TONYA, the figure skater (“first American woman to land a triple axle, figure skater and two-time Olympian” as it says at the beginning)


She lists all of the things she thinks America thinks of when they hear “Tonya Harding.” (None of them, btw, is what America actually thinks of when they hear Tonya Harding.) “I was the best figure skater in the world,” she says (actually, no, she wasn’t, Nancy Kerrigan was). “I had it taken away from me.” (That part is true.)

“It was my life. I wasn’t allowed to compete, to perform in shows. You have people looking at you like you’re nothing. You start to believe that you are nothing. I just wanted to do what I was good at, and that was skating.” They show her now, getting onto the ice, almost unnoticed, and doing a spin.

I have to pause here for a moment. At the time of the Tonya Harding “incident,” (as they call it in the movie) I was very deeply involved in the skating world, because it was a passion of both my sisters. The Nancy Kerrigan incident did not go unnoticed in my world.

But, I also believe that forgiveness is a good quality to possess. Dancing with the Stars is my favorite show, and Sasha Farber is one of my favorite pros. One of his true fortés on this show is working miracles with the women he partners. He is the only pro with the heart and the compassion to be paired with Tonya Harding, given all the circumstances.

So I go into this season, willing to put down my own resentments and grudges against Tonya Harding, because she is partnered with one of the best people on the show. And because she’s asking for forgiveness. She gave up something that she really loved and was really good at, and really, America, isn’t that punishment enough?


Sasha (back to the package) says: “I just watched your movie.” He’s talking, of course, about I, Tonya, which had just come out. He asks her (about DWTS): “What made you do this?” Tonya: “I got banned in 1994 from skating. But nobody can tell me I can’t dance. Being on Dancing with the Stars, I get to perform again. My skating ability will translate. I’m not sure how much, cause I wasn’t very graceful.” She cries and says, “I don’t wanna fail again.”

She is now standing, alone on the stage, with gold dust sprinkling down on her (from the Jumbotron). She raises her arms to the skies. Sasha comes from behind her to begin the dance. They, too, are doing a foxtrot. The lyrics are singing about: “Who knows what miracle you can achieve, when you believe...” They do that floor spinning move that the pros usually do. It just looks beautiful. The dance seems so joyous. The song ends with “You believe.” They both raise their arms up. The lighting is angelic. So beautiful. She takes a bow, and people are on their feet, applauding her. They also throw roses at the floor (which is what they do to skaters). A really nice touch.



Allison Janney, who just won an Oscar for playing Tonya’s mother in the movie, sits in the audience, applauding her debut return.

Tom: “I don’t know if you were worried about the reception you’d get, but you gotta be loving this one.” Tonya looks up from her tears and says, “It’s absolutely wonderful.” Tom points out the “recently minted Academy Award winner Allison Janney beaming over here, alongside young Tonya, Makenna Grace.” Allison blows her a kiss. Pretty spectacular stuff.


Carrie Ann: “Tonya, I know that your journey to here has been an emotional and challenging journey. But I have to judge your dancing. You are a beautiful dancer.” Tonya cries more at this. Sasha hugs her. “You have something so powerful. Your lines are gorgeous. There’s an eloquence, a depth to your performance. The mind-body-music connection that you just displayed blew me away.” Len: “Tonya, I thought it was a charming dance. Beautiful fluid movement, great mix of steps in hold and out of hold. You shouldn’t be weeping. You should be happy. Because that was a lovely performance.” Bruno waves at her and says: “Hi, Tonya.” (yuck, yuck) “I see you brought your movie mom with you. That character makes Len look like a pussycat. I wasn’t expecting you to have such a lyrical quality of movement.”

Erin tells her she looks beautiful. “How do you feel?” “Like a princess,” she says. Sasha hugs her.

JUDGES’ SCORES: 23 out of 30

The troupe rushes back out with giant black flags with gold DWTS letters.

We return with the football floor and huge gold footballs on the backdrop. (Of course, Erin reads the football parts.)

SHARNA AND JOSH, the football player

He is the only football player in all these Athletes. Josh says, speaking in third person: “Josh Norman comes with 110 percent laser focus. If he’s in it, he’s in it.”


(I guess 24 is his number on the Redskins?) They are about to do a cha cha. And it looks like he's about to jump over Sharna, who is not facing him. BOOM! And the smoke goes up all around. Pretty cool.

The song is all about “dripping in finesse.” (It’s Bruno Mars’ tribute to Fly Girls.)


Len: “I thought it was bright and breezy, free and easy. Full of rhythm and style. You’re just another one of a long list of footballers that can dance.” Bruno: “Josh! Star quality, charisma, sex appeal, you’ve got it. By the truckload. You have natural musicality, a feel for the dance. You’re the ones to watch.” Carrie Ann: “I agree with Bruno. I think you have something really special. You have an X factor. When you came out... I didn’t hear the crowd go crazy until you came out. You’ve got the moves, and you have style. Because I was a Fly Girl, I’m gonna crown you Fly Guy.” Wow.


JUDGES’ SCORES: 24 out of 30

They are about to announce the couples leaving.



Yikes. Who’s going home?

They put BOTH Sasha and Emma into jeopardy. (WHAT?) As well as Artem and his partner. Two of these three couples are going home. (NOOOOOO!!!!) Really? Not horrible dancer Kareem? :-(  #SoAggravating

Going home:


Sasha and Tonya are safe! WHEW! (Sad to see all of Tom’s comments about the husband-wife rivalry go away, but REALLY glad Sasha is still here.)



Tom announces that next week’s guest judge is Emma’s former partner Rashad Jennings.


Miche’s Favorite Athletes, Night One
1. Adam and Jenna (cha cha)
2. Tonya and Sasha (foxtrot)
3. Johnny and Emma (foxtrot)
4. Josh and Sharna (cha cha)
5. Mirai and Alan (salsa)
6. Jennie and Artem (Viennese waltz... seriously? WEEK ONE?)
7. Chris and Witney (salsa)
8. Jennie and Keo (foxtrot)

PLEASE GO HOME
1. Kareem
2. Arike

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