Some Thoughts on the TV Season So Far (New Shows)

We're only midway through the rollout of the new TV season, and I have some comments and thoughts on the shows I've seen so far.

1. And the first to be cancelled is...

I would've laid money on the fact that it would be "The Playboy Club." Hef has always been delusional about how much of a cultural touchstone those Playmates are. And really, if you can't show their boobs, who's going to watch. This might've worked as a cable show. On broadcast TV, where people go apoplectic if you see an errant nipple, forget about it. So they tried to throw in some kind of murder mystery nonsense (at least from the previews, I couldn't stomach actually watching it)... and you know we don't have enough of THAT kind of stuff on TV... so CANCEL. No surprise.

2. More on the exploitation of women front

Another show, which, frankly, only succeeded in the 70s because it was all about jiggly T&A was sadly lacking the T&A in this version (Charlie's Angels). I would take the acting to task (it was dreadful), but then, the acting in the earlier version was no Meryl Streep either. (Sorry, Kate Jackson.) But truly, this show should be some fluff, if done right. People watch this for mindless entertainment that looks pretty. Is that so hard to create? Apparently so. One overall theme I noticed this season (and usually I only watch really good shows, so maybe it's always like this) was really bad tech stuff. On Charlie's Angels, we had some dreadful camera/editing choices.

All those girls had to do (other than shake their booties in cute costumes, which they didn't do) was pretty much say a line and hit their marks. They couldn't even do that. Now, Minka Kelly, who's been around on a series or two (the wondrous Friday Night Lights and Parenthood, to name two that she was better in), will be the only one you ever hear from again. The one with the Afro consistently stood in a well-framed shot (you kinda want to get all three Angels in the same shot), blocking at least one of the other two. Very frustrating. I don't remember ever seeing such bad camera work on a TV show in primetime.

3. Odd directorial choices

But then we have the odd directorial choices. An intriguing premise, Unforgettable, is based on a woman who is unable to forget. However, unlike the actual women who have this affliction, who recall everything at a moment's notice, this woman goes back into a crime scene to find details that she forgot. But the way they do it is that Woman 1 is sitting there looking at herself (Woman 2) as she does whatever it is she does. A real step backward for technology and innovative direction. I saw only part of one show, and that nonsense made me cross Unforgettable off my list.

4. More 60s female eye candy

The other show which delved back into the 60s era for its female objectification that worked (full-season pickup) was Pan Am. Some mini viewings have shown it to be basically a soap opera in fancy locales, but then, the whole 60s Pan Am stewardess thing was a juicy one, and it sounds like they're doing it right. I might catch this one out more later.

5. Real women make gains

There were some surprise breakout hits of this season so far. The biggest: Zooey Deschanel's New Girl. People love her. (Haven't watched it yet myself.) But one that is also a big hit that shot up my TiVo queue was 2 Broke Girls. Kat Dennings is the breakaway star, IMHO, although Beth Behrs makes a thankless rich girl role believable and heartwarming. Very well-written, a fun show, I highly recommend checking it out.

The other show from female comic Whitney Cummings is "Whitney" (gee, wonder where they got that title?). It's a bit too much Whitney for me. Although the guy who plays her boyfriend is really smoking hot sexy. So that makes it watchable. But why he'd put up with such a crazy whiny obnoxious too-skinny girl like her really escapes me. Her friends are marginally funny, but every episode revolves around Whitney, and that's already old after two episodes of viewing.

6. We shoulda kept Medium or Ghost Whisperer...

Guess CBS's got to have a "let's talk to dead people" show, and I do hate to diss a show that Susannah Grant is involved in... but... Well, here are the good things: Jennifer Ehle is a luminous ghost. Emmy winner Margo Martindale is in it. Tony winner Patrick Wilson is in it. Still, it's one of those rich and successful surgeon finds his heart in the ghetto through his dead wife dramas. Just don't know if I can stomach it, frankly. Oh, and back to the Item number 3, the sound guys should be fired. There were two really key moments in the pilot where the sound was so muffled that I had to rewind it three times to hear what the heck they were saying. ONE of those times was in the "Oh, btw, she's dead" line that pretty much sets up the entire series. Really really really bad.

7. Good things

One show that I wish I'd been able to view (it's on my TiVo), that apparently is doing things right is Person of Interest. Interesting premise, great actors, great production team and high-tech effects. I can't wait to catch up with this one. You should too.

I'm really grooving on (as I've written elsewhere) both Survivor (Good vs. Evil season) and Dancing with the Stars (I'm rooting for David Arquette, although Ricki Lake is quite inspiring too).

Homeland rocks my socks in previews (also sitting on my TiVo). Can't wait to delve into this one.

American Horror Story looks intriguing (plus, Connie Britton!), but sounds really scary. Not sure about this one.

8. Coming Up

It's the battle of the fairy tales: Grimm (featuring ex-Buffy the Vampire Slayer production people) vs. Once Upon a Time (featuring Ginnifer Goodwin and Lana Parilla, and Robert Carlyle). Both could be good. I'm looking forward to both.

What are some of your favorite so far?

More Lockdown at the Kodak

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SIX DAYS BEFORE OSCAR (FEB. 22)
The biggest change is tents. Tents everywhere.

Also, the entire block of Hollywood Blvd. (from Highland to Orange) is now shut down. Traffic rerouted. Big trucks fill the streets with names like party favors on them. Unclear what they are unloading, but they keep coming all day.

Security at every station. Trying to get to work (through the alley) involves a burly security guy asking me for my laminate. Sorry, I just work here. What's the address? It's a temp job. You expect me to remember the address that I've never needed before (since the first day six months ago)? Luckily, another security guard in the alley who knows me vouches for me, and I'm allowed to pass. I give a silent thanks for the fact that I'm constantly friendly to the various security guards I pass.

There is a big sign on the corner of Hollywood & Highland, which loudly proclaims: "OSCAR!" right next to a huge picture of a gold Oscar. And by huge, I mean multiple stories tall. Both of these images will feature prominently in tracking shots on every station. You will see them constantly, trust me.

In an upcoming post, I'm going to try to include some of the pics I've been taking on the scene. Trust me, it's not easy. I just bury myself in gaggles of Japanese tourists. (They always have cameras.)

FIVE DAYS BEFORE OSCAR (FEB. 23)
Getting to work is even more of a nightmare.  One of the two alleys back is completely closed off. He does let me get through the other one. I see WHY this one is closed off, later, when I get to work.

Looking through our upstairs windows (pictures forthcoming), I see giant Oscars laying in the middle of this parking lot (probably being burnished with extra gold paint). Whereever they have giant Oscars along the red carpet, they are going to originally come from this staging area.

Another notable fixture of today is all the cameras and microphones being tested at various spots along the red carpet route. There are always cameras on Hollywood Blvd, but these are the expensive high-tech kind. TV cameras.

I'm going to try to get up to my favorite restaurant on the balcony to see how much of that is closed down, and what pictures I can get for lunch today. Back later.

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CBS: Still Churning Out What Works

First up, the comedy that used to be called "Shit My Dad Says" when it was on the Internet; now, it's written as "$@#% My Dad Says," but pronounced as "BLEEP My Dad Says." *eyeroll*

You really almost can't go wrong with Shatner. Everyone loves Shatner. If there's a male to rival Betty White in popularity and longevity, it's Shatner. (However, her series, "Hot in Cleveland" on TV Land, is much funnier.)

In any case, this is pretty much a standard-issue comedy. Shatner plays irrascible, ornery dad, and Jonathan Sadowski plays the frustrated son. Will Sasso and Nicole Sullivan are in the mix.

BOTTOM LINE: Funny, but don't go out of your way for it.

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NBC Unveils Four Turkeys: First, Outsourced

Every year, we in LA are graced with unveiling of the new fall TV schedule at the Paley Center. Each network gets a night. I'm not going to all of them. Sadly, I'm attending most of them.

First up, NBC.

I admit. I have a bit of a chip on my shoulder about NBC. The whole Jay Leno-Conan O'Brien debacle still leaves a smarting feeling when I even hear the word "NBC." That, and it's firmly entrenched in fourth place. For good reason. "Outsourced" does nothing to alleviate that bad taste in my mouth.

Don't get me wrong. There are some good, funny actors on "Outsourced." But really, 16 million Americans are out of work. Are they really going to find it funny to see a show about those who took their jobs? Really?

I tried. I really tried to see the funny in this show. As the offensive stereotypes and racist insults flew by, I tried to see that, well, at least they were using a more diverse cast than they normally do on network TV. But no. As much as the moderator of tonight's events tried to put the spin on it as "at its core, it's just another workplace comedy," um, no. It isn't. This is no "The Office."

It's insulting to Indians (or as my ethnic-slurring friend calls them, "dot Indians, not feather Indians). It's insulting to Americans. They even throw in Australians. I'm waiting for the "shrimp on the barbie" jokes. Really, NBC. Haven't we moved past all this?

BOTTOM LINE: I tried to like "Outsourced." I still hated "Outsourced."

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