Survivor Crowns the Rightful Winner

Survivor: Caramoan just ended. I haven't written about it, or even shared in the weekly evening Tweet sessions much, if at all, this season.

Here's why, in a nutshell. I really got inspired a few seasons ago with the players who really showed their religion on their sleeves, showed how it got them through those long lonely days. I got spoiled on that. I could see, for a few, shimmering moments, how Survivor really could show the good in people, the quality, the integrity, the class. The spirituality. It was really blissful and inspiring.

Well, all that has gone away so far it may as well have been bludgeoned away. In point of fact, one of the architects that I'm speaking of (Brandon Hantz) went through a real spiritual journey on that first season he was on, taking spirituality to a whole new level on the show. So I was very excited to see him on this season again. However, between that first season and this one, things changed in a very negative way.

Personally, I think his uncle got to him, and advised him to be more of a dick to win. And so he did. Aside to Brandon: that wasn't the way to go.

So, what can we say about Survivor: Caramoan? If nothing else, it was indeed an exciting season. When looking at the strategy and the game play, some of the moves made caused a person to truly gasp in their seats, and it's been awhile since that has happened.

Here's the thing though. Somewhere along the way (of its 26 seasons), Survivor found its soul. It found, actually, that putting people in these crazy situations can actually lead to some insight that is much more profound than one expects when sitting down to a reality show.

And now, in the last two seasons, it's taken that back, with a vengeance. In fact, I would even say it stooped to Richard Hatch/Hantz Inc. level dickishness. The bottom line, at least for me, is that I don't want to see this whole "it's just a game" BS. I don't want to see someone friends with someone else and then slitting their throat.

The truth in life is that every moment of every thing you do affects every thing else. It should be that way in Survivor too. And, for a couple of blissful seasons, it was.

But in Survivor Caramoan, we had everyone out for themselves, back to backstabbing and blindsiding and hurting people that you were friends with and who trusted you. And I really dislike that ugliness.

Brandon Hantz, in point of fact, had one of the ugliest meltdowns ever in Survivor. In fact, if he wanted to surpass his uncle Russell in vile crassness and ugly humanity, he surely did. It took me this long in the article to even remember Russell's name, I just kept seeing Brandon pouring out everyone's rice over and over in my head. Ugly. Heinous.

I am, in fact, praying that the upcoming "Blood versus Water" season doesn't include ANYONE named Hantz.

I am also praying hard that Dawn never again graces our screens on Survivor. Certain people really need psychological counseling more than they need Survivor. I'm glad Dawn got rid of her Twitter. I hope she doesn't read this article. And I hope I never in my life see her on any TV anywhere ever again. She was a mental basket case. It wasn't pretty.

She went the opposite way, too. In the last season she played, she tried to... you know, have ethics. This time, she decided she didn't need to do that, and blithely cut anyone's throat who got in her way, with the trope, "It's only a game." And she wonders why Brenda never returned her calls.

As someone following strategy, I can see why Brenda needed to be voted out. It was a good strategy play, because certainly Brenda would've won. However, the female connection between Dawn and Brenda was really palpable. I felt pain when she turned around after her torch was snuffed, and said, simply, "That really hurt."

Integrity is more important than "playing a game." And if I were talking to Dawn right now, I would say: THAT is why you didn't get even ONE vote at tribal. You cannot forget that part of the game. Ask Russell Hantz.

Also interesting at the "Reunion" show afterwards, a show in which normally the entire Survivor season's cast is lined up from first voted off to Survivor winner, to chat about the past season, this season, for the first time ever, they only had the jury folks. 10 people, instead of 26.

Sure, perhaps speaking to every person gets unwieldy in an hour wrap-up show. Plus, the interchangeable blondes, Francesca who got voted out first twice... I mean, what is there really to say to any of them? Plus, again, I'm glad Brandon Hantz wasn't within 20 miles of those onstage.

Malcolm... *swoon* and his hair... well, I was really hoping Malcolm would win. And the reunion show really missed a trick in not having Malcolm's mother on to help celebrate Mother's Day. ("Enil Edam" was really "Madeline" backwards, for his mom.)

Philip and his Stealth R Us team was a fun aspect of this season. Philip, in quoting his strategies, mentioned one of Survivor's best players, Boston Rob.

Boston Rob, on the reunion show, brought along his new book (you heard me): "The Boston Rob Rulebook." You can purchase it here:

Boston Rob Rulebook

Congratulations, John Cochran. You did outplay, outwit and outlast. You deserved to win.

And now, hopefully on to (the Hantz-less) "Blood and Water" version in September. May it have more kindness and integrity than the past two seasons did.

*************************

Put the Real Back in My Reality TV!

Or, How Courtney Caused the Bachelor to Jump the Shark...

Here's the simple truth of it. If I want fiction, I'll watch a fictional scripted TV show. If I want truth, I'll watch a reality show. You want DANCING? Watch Dancing With the Stars. You want to see how a bunch of different people cope when they are put together on an island to fend for themselves? Watch Survivor. That's the purity of reality TV.

Cause sometimes real people are way more interesting than scripted stuff. Truth, reality, the way people interact with each other in real ways is quite fascinating stuff. And the good reality shows play off this.

Somewhere along the way, as the moment lulled, and reality TV became huge, those writers whose jobs had been displaced (now that reality TV was so cheap to make) wanted their jobs back. They wanted part of this new phenomenon.

So we have this mixture that we have now (with some shows). Survivor will not admit to being scripted. (I actually believe them.) The most a reality show writer/producer should do is create the arcs of a show (where in the world The Amazing Race travels to, for example; and what they encounter when they are there). But the way the people themselves react to it, is the fun of watching it.

But the real rub is that you have to get 30, 15, 20 whatever schlubs every season who are willing to put up with whatever you put them through. Why would they do this? Simple. It's not just the cash prize they could win at the end. It has become, more and more, that they just want to be on TV.

Let us examine, for a moment, the two WORST examples of that, the two who have burned out my eyes from ever watching The Bachelor again: Ben F. and Courtney.

I think one can generalize at this point (and so I shall): Ben never wanted to get married, find true love, all that wooha he signed up for. He just wanted to have a TV show about himself. Every girl along the way who was going along with what the show was about ("sure, I could see myself with you," "sure, I could marry you," "Sure, I'm falling in love with you..."), once they went down that path, he kissed them goodbye.

But every girl, and I do mean every girl, starting at the very beginning of the season, who was willing to kiss, to cuddle, to snuggle, to put her sex on the line, he was down with it.

Courtney, on the other hand, who was completely open about the fact that she wanted to "WIN" this Bachelor thing, and screw everyone else who was in her way, spent the first half of the season showing her true colors. She was mean, she was condescending, she was judgmental, she was downright cruel. She was the most horrible person that the show has ever had on. Which, of course, in the cold cruel world of television, makes for great TV.

Vicious Courtney. What is Courtney gonna say next? Everyone talked about her at the water coolers. Bachelor producers must've been rubbing their hands in glee.

Except for one little thing. Ben dug her. Or, perhaps, he just saw a similar snake in front of him.

In any case, when little Miss Break the Rules showed up at his suite in Puerto Rico, and they ended up frolicking (insert the other F word here) in the ocean, it was really game over.

What I wish they HAD done, if this had really been REAL reality TV, and they were honest, was to put it back on the table. "Yeah, Courtney and I had sex. What are you girls gonna do about it?"

Although they probably would've all walked out (or most of them), it sure would've made for more interesting TV than what they tried to shovel at us next.

Because once Miss Courtney started becoming Ben's favorite, the producers had to back pedal. Furiously. They had to put words in her mouth that made me choke to listen to them.

How even though she'd been trashing everyone left, right and sideways all season, suddenly now she was "interested in falling in love." Whereas before she "had a hard time trusting people," now she was "ready for love."

It was a joke, and she was/is a bad actress. That whole nonsense of a fake wedding that they did on the hometown dates was laughable.

I won't bore you with too many details, it was painful enough to sit through as is.

My point, though, is that I was one of those who at least tried to invest in The Bachelor and Bachelorette for the romance of it.

And sure, I knew when City Hall is all cleared out and there's a band in there, for them to dance by themselves, that it wasn't Ben F. who did all that "for Lindsi." It was a team of people at ABC who pulled that and everything together. Sure, I knew there were lies (in that regard).

(And then they had Lindsi's parents say, "Oh we got married there!" (As if their 27-year-old daughter didn't know where her parents got married... I could puke...)

Anyway...

Starting from the fake ski slopes in San Francisco on, everything about this season just got worse and worse and worse.

It was almost like the rest of the country was watching the real show, with our sweetheart, Kacie B., and Ben and wench-o-matic Courtney were off doing their own "Screw everyone" show on the side.

At the end of it all, I feel manipulated. By Courtney, yes, but more by the producers and "writers" who created this fiasco. If I see one more helicopter ride, I swear I'll throw up. If I have to watch one more couple climb atop something high (bridges, Aztec ruins, gorges) and then make some LAME metaphor about how going through this together (even if you're terrified of heights) makes your relationship that much stronger, I swear I will heave.

It really was a morass of bad writing thrown at you all this season: Leap lists, and fakeness and unreality. At every rose ceremony (and I DO mean every rose ceremony), the entire country, in unison (or anyone who still cared enough to watch this madness) screaming at their TVs: GET RID OF COURTNEY!

To have to march through, like some twisted romance from hell, as one by one of the most amazing women are dumped, and the black widow spider is still standing at the end, is really beyond the pale.

And I really feel it's cured me of my desire to ever watch this show again. There's too much reality to live. I don't want fake scripted "reality."

I feel used, abused and stepped on, by suffering through as much of this season as I did. EVERY SINGLE PERSON AT ABC who was associated with this show this season SHOULD BE ASHAMED OF THEMSELVES. Ashamed.

You will never live down the Ben-Courtney fiasco. You have jumped the Swiss shark.

*WRETCH*

***********************************************

Why Tramps Ruin The Bachelor

Let's start with the things we know for sure.

Most reality shows, including The Bachelor, are scripted. Those who script them aren't unionized, and thus, don't get paid enough for writing them, which also usually means the writing is subpar. Not only are the dialogue and contrived situations horrendous, but there is usually a lack of originality. Of late, for example, The Bachelor has relied on throwing in elements of good reality shows, in hopes that it will elevate its own material (not working, of course).

This season, for example, for no apparent reason, they've thrown in elements of Survivor and Fear Factor. They seem to be obsessed with putting people in high places and making them jump. A couple climbed to the top of a bridge in San Francisco, cause yeah, that's what couples do on dates. Dreadful, lame, tiresome.

See, I remember in the first couple of seasons, back when The Bachelor was actually good. Or at least it had a lot of promise. The premise was that 28 women would vie for the heart of one man. Doing normal stuff, like going on dates. Ones that involved tables and food and talking, not swimming with sharks, or jumping into deep pools in dark caves.

One thing Survivor does really right, and The Bachelor does really wrong, is that it's forgotten that people themselves are really interesting. People's personalities, and what they'll do in situations are what made reality shows great originally. Now they are just a cheap way to make a buck. It's very sad.

But I'm not writing about the sad state of reality shows. (One good one left--unscripted--Survivor, starts a new season Wednesday. Do catch it.)

No, I wanted to write about sex for a minute.

So let's again talk about what we know. People have sex. People have sex on reality shows, even though it's usually not talked about, since we are, after all, dealing with network TV. Romances blossom on Survivor. In fact, more couples have met and stayed together on Survivor than they have from The Bachelor or Bachelorette. Combined. FACT.

But it is the sad mess called The Bachelor that is the subject of today's treatise. (It being Valentine's Day, after all.)

So let's go back to the days of innocence, when The Bachelor was good. Imagine with me for a moment. Imagine, though it's a crazy situation... imagine that you did go on a reality show to find a husband. And imagine that, against all odds and likelihoods, you met this guy, and there was an instant spark. (It could happen.)

Most of these other 28 girls just want to be on TV, or whatever their reasons for being there are, but you meet this guy. You fall in love the first night. And he does too. He feels the same spark. (It could happen.)

Cause really, when I think about it (sure maybe something could develop over six weeks), but really, I would know instantly whether or not there was a spark between me and said dude. So, say there is.

And say that you are now in this game, this obstacle course, where you have to get to the end. All these other women have to go away (for whatever reason) and maybe you can actually get to be with this man. (It could happen.)

Let's say, for the sake of argument, that you have one such woman this season. Let's say her name is Kacie B. She's sweet, she's cute, she's perky. She's there "for all the right reasons," a Bachelor phrase so overused I cringe whenever I hear it. She likes this guy, this Ben. He likes her. Maybe even a lot.

How would you feel, I wonder, to see all these other women battling (either for his attention or just for camera time) it out? And what if one of said women was a scheming, conniving bitch (whether written that way, or just was), who would do anything, both for camera time and to "win" this game, get to the end, to play out every episode?

I've often wondered that about this show. Given its many constraints, what could you really do, to get and hold this guy for yourself? There really isn't much.

Kacie B. has relied on grabbing kisses and alone time when she could. It seems to be working. I'd bet money she'll be one of the two standing at the end with Ben.

But her nemesis (this season's nemesis), let's call her Courtney, uses a different tack. She uses sex.

Anyone knows that if you want to get and keep a man, especially if you only have six weeks in which to do it, and dozens of other women are clawing around you trying for the same thing, you have to use sex.

I'm sure The Bachelor rules prohibit it, at least until the whole "Fantasy Suite" malarky, which hasn't even happened yet this season. There has been a whole lotta kissing, but not even any hot tubs to speak of (as in seasons past).

But there was this. Resident wench Courtney decided to break a few rules and corner Bachelor Ben at his hotel room. They went down to the surf to go skinny dipping. I would bet a year's salary that sex happened that night.

Courtney is annoying, but she's a model, and if I were Ben, I would for sure keep her around until Fantasy Suite time, for at least one more roll in the hay before dumping her.

But back to the good and innocence of The Bachelor. The show, ostensibly, is about true love. Or finding love. So what if, let's say, our heroine, Kacie B. does end up getting engaged to Ben at the end of the season, and she's sitting at home, watching the episodes go by, and she sees, what she didn't when they were all in Puerto Rico. She sees Ben's little frolic in the sand with the model?

Ben has so far been very cagey about whether or not he ends up proposing at the end. Or whether he's "happy now," which they always ask at the beginning. I suspect that even if he was happy for awhile, once he let out the "Oh, btw, I slept with Courtney" truth, that was the end of that.

But here's the thing. As a viewer of the show, even a viewer who mostly likes the show (even with all its "leap list" and bad writing, even with all its improbable dates), I watch every week, I wanna believe. But that whole thing with Courtney, and Courtney's smug attitude that Ben wouldn't even think about sending her home... Personally, I think it went like this. He said to her, "We can have sex, and I'll keep you till Fantasy Suite time, if you promise to not tell ANY of the other girls. If you do, you're going home in the next rose ceremony."

Cause she's been obnoxious and rude and braying about everything else, but about this big secret, this big elephant in the room, she's not lording it over anyone. There had to have been a deal made there.

Or maybe the producers came down on her heavy too. Cause it would really ruin the show, if all the other girls knew.

But aren't they all just sick to their stomachs now, seeing it unfold before them? I know I feel tainted watching it. Like there is some oily substance stuck to my psyche that I can't get off. Every time Courtney is on screen, I feel like throwing up.

We shall see... how it all evolves. But I bet Ben is alone when all is said and done.

What do you think? Sex on The Bachelor? Good thing? Bad thing?

Survivor 23 (Good vs. Evil) Can you be honest and win Survivor?

As I've written in previous columns, Survivor in years past has been all about lying, cheating, scheming, double crossing others to win. This year, they've turned it on its head by having at least two people (Coach and Russell Hantz's nephew, Brandon) who have vowed to fight this season with integrity, honor and--gasp--honesty.

When I first got sober, I was forced to go from being a pathological liar to living a life free of lies. It was a difficult transition. And I'm sure I was a bit like Brandon has been in the last few episodes: brash, obnoxious, braying his honesty to everyone who'll listen, expecting everyone to conform to his rules.

There is a point to that. You know that honesty trumps everything. You also know that honesty is the only way to live, because all you really have is your own integrity.

But to bring that into the game of Survivor? It's madness.

Madness, yes, but also quite compelling TV. And mind you, the honesty thing isn't easy. Especially if you're somewhat new to it. I think it took me several years to even realize what was a lie, and that I really could live without telling one, in fact was MUCH better off without telling one. I had never conceived of such a thing.

And here is Brandon Hantz, now in our faces on our TV screens, compelling us to contemplate the question. Yes, it's true is it a "game," but isn't it also true that even while playing games we still have our own consciences to deal with? Especially when we are dealing with other people and their feelings? And is it just a microcosm of life that really no one can deal with the "honest guy"? He's so pure, he's so out there, I just love him.

Because thrown into this mix, we also have Coach. Now Coach is determined, this time, to not let his worst self get the better of him. He wants to live through this game with integrity and honor, and so far, he has.

But here's the thing Brandon has yet to realize. You really can only be 100% honest when you are in a place that's safe, with people you trust. There are fine-tunings of the honesty thing that one must really incorporate when dealing with/living with/interacting with others who are not quite so honest. The most important among them being tact.

You can't just go yelling from rooftops (although I did that very thing too): "Look at me! I'm HONEST!!! Isn't it grand?" You really run the risk of alienating others, and/or having them think you're crazy.

So I believe that discretion and tact comes with age. Yes, to answer Coach's question: Withholding IS lying. Yes, it is.

HOWEVER, sometimes, it's necessary.

In the case of Coach, he's the leader of the tribe. He's played Survivor three times now. He sees the big picture in many ways that others don't. And the way I see it, he's like Brandon's dad on this island: saving him from hurting himself, even though Brandon himself might not see it that way right now (cause he's too close).

In this last episode, Coach made it clear that he has the immunity idol, and the two people whom he wants to know about it, do. One of those is not Brandon. Brandon has the habit of spouting off EVERYTHING that's on his mind, and one thing even beginning Survivor watchers know is that you hold back some things, and play your cards when it's to your advantage. That's really all you have: the element of surprise.

Will/would Brandon be pissed to know that he looked all over the island for the idol, when it rested safely with Coach? Yes. Will he be mad that Coach wasn't honest with him? Yes. Will he have gotten MUCH farther in the game (not only he, but Coach and other members of their alliance) because Coach said nothing? YES. That's the key point.

When you are playing a game, or steering a ship, or running a corporation, you have to let someone else drive. Whoever is the leader/in charge, takes the responsibility for those under him/her and makes decisions accordingly, piecing out the information as necessary. BECAUSE he/she sees the big picture.

And hopefully, those worker bees under him/her trust enough to know they're being taken care of. And Coach IS taking care of Brandon, whether he realizes it or not. One of those, yes, I know you just learned how to shoot, but trust me, put the gun down, kind of situations.

So, it's a tough call, but I honestly believe that both Brandon and Coach are living their truth. Both of them are living honorably. One is withholding, but it's for the good of the tribe.

It's really going to be interesting once it gets down to Coach vs. Brandon at some point. How long can Coach live with integrity? I'm quite sure that both Coach and Brandon will make it at least to the merge (when they are down to 10).

And then, they have evil to deal with on the other side (in the form of Jim, who's an underhanded, low-dealing, backstabbing liar). I'm also quite sure he'll be there when they get theere. Should be very interesting.

I put my money on Coach. To win it.

**********************************

Some Thoughts on the TV Season So Far (New Shows)

We're only midway through the rollout of the new TV season, and I have some comments and thoughts on the shows I've seen so far.

1. And the first to be cancelled is...

I would've laid money on the fact that it would be "The Playboy Club." Hef has always been delusional about how much of a cultural touchstone those Playmates are. And really, if you can't show their boobs, who's going to watch. This might've worked as a cable show. On broadcast TV, where people go apoplectic if you see an errant nipple, forget about it. So they tried to throw in some kind of murder mystery nonsense (at least from the previews, I couldn't stomach actually watching it)... and you know we don't have enough of THAT kind of stuff on TV... so CANCEL. No surprise.

2. More on the exploitation of women front

Another show, which, frankly, only succeeded in the 70s because it was all about jiggly T&A was sadly lacking the T&A in this version (Charlie's Angels). I would take the acting to task (it was dreadful), but then, the acting in the earlier version was no Meryl Streep either. (Sorry, Kate Jackson.) But truly, this show should be some fluff, if done right. People watch this for mindless entertainment that looks pretty. Is that so hard to create? Apparently so. One overall theme I noticed this season (and usually I only watch really good shows, so maybe it's always like this) was really bad tech stuff. On Charlie's Angels, we had some dreadful camera/editing choices.

All those girls had to do (other than shake their booties in cute costumes, which they didn't do) was pretty much say a line and hit their marks. They couldn't even do that. Now, Minka Kelly, who's been around on a series or two (the wondrous Friday Night Lights and Parenthood, to name two that she was better in), will be the only one you ever hear from again. The one with the Afro consistently stood in a well-framed shot (you kinda want to get all three Angels in the same shot), blocking at least one of the other two. Very frustrating. I don't remember ever seeing such bad camera work on a TV show in primetime.

3. Odd directorial choices

But then we have the odd directorial choices. An intriguing premise, Unforgettable, is based on a woman who is unable to forget. However, unlike the actual women who have this affliction, who recall everything at a moment's notice, this woman goes back into a crime scene to find details that she forgot. But the way they do it is that Woman 1 is sitting there looking at herself (Woman 2) as she does whatever it is she does. A real step backward for technology and innovative direction. I saw only part of one show, and that nonsense made me cross Unforgettable off my list.

4. More 60s female eye candy

The other show which delved back into the 60s era for its female objectification that worked (full-season pickup) was Pan Am. Some mini viewings have shown it to be basically a soap opera in fancy locales, but then, the whole 60s Pan Am stewardess thing was a juicy one, and it sounds like they're doing it right. I might catch this one out more later.

5. Real women make gains

There were some surprise breakout hits of this season so far. The biggest: Zooey Deschanel's New Girl. People love her. (Haven't watched it yet myself.) But one that is also a big hit that shot up my TiVo queue was 2 Broke Girls. Kat Dennings is the breakaway star, IMHO, although Beth Behrs makes a thankless rich girl role believable and heartwarming. Very well-written, a fun show, I highly recommend checking it out.

The other show from female comic Whitney Cummings is "Whitney" (gee, wonder where they got that title?). It's a bit too much Whitney for me. Although the guy who plays her boyfriend is really smoking hot sexy. So that makes it watchable. But why he'd put up with such a crazy whiny obnoxious too-skinny girl like her really escapes me. Her friends are marginally funny, but every episode revolves around Whitney, and that's already old after two episodes of viewing.

6. We shoulda kept Medium or Ghost Whisperer...

Guess CBS's got to have a "let's talk to dead people" show, and I do hate to diss a show that Susannah Grant is involved in... but... Well, here are the good things: Jennifer Ehle is a luminous ghost. Emmy winner Margo Martindale is in it. Tony winner Patrick Wilson is in it. Still, it's one of those rich and successful surgeon finds his heart in the ghetto through his dead wife dramas. Just don't know if I can stomach it, frankly. Oh, and back to the Item number 3, the sound guys should be fired. There were two really key moments in the pilot where the sound was so muffled that I had to rewind it three times to hear what the heck they were saying. ONE of those times was in the "Oh, btw, she's dead" line that pretty much sets up the entire series. Really really really bad.

7. Good things

One show that I wish I'd been able to view (it's on my TiVo), that apparently is doing things right is Person of Interest. Interesting premise, great actors, great production team and high-tech effects. I can't wait to catch up with this one. You should too.

I'm really grooving on (as I've written elsewhere) both Survivor (Good vs. Evil season) and Dancing with the Stars (I'm rooting for David Arquette, although Ricki Lake is quite inspiring too).

Homeland rocks my socks in previews (also sitting on my TiVo). Can't wait to delve into this one.

American Horror Story looks intriguing (plus, Connie Britton!), but sounds really scary. Not sure about this one.

8. Coming Up

It's the battle of the fairy tales: Grimm (featuring ex-Buffy the Vampire Slayer production people) vs. Once Upon a Time (featuring Ginnifer Goodwin and Lana Parilla, and Robert Carlyle). Both could be good. I'm looking forward to both.

What are some of your favorite so far?

Endurance Cinema: Conviction, The Way Back and 127 Hours

One of my pet theories is that leading Oscar contenders reflect a current mode of our times. Last year's "Up In the Air," for instance, hit hard on the layoffs that touched so many. This year's theme, it seems, is enduring, despite overwhelming odds against you.

In the wonderful "Conviction," Hillary Swank's character battles for years to free her innocent brother from prison. You see her battle setback after setback. And still she hangs on. Believing that she can do it.

In the beautiful "The Way Back," we have prisoners from a Soviet concentration camp, first exiled to Siberia. Then some of them decide they've had enough, and endeavor to escape (all of this being in the trailer, I'm spoiling nothing; also this happens in the beginning of the film). They do escape, and begin their trek. I suppose they are heading toward that nebulous "freedom." Their path seems to go from Siberia to Mongolia to Tibet to India. On foot.

Needless to say, of the ones who start on the journey, not all of them make it, for various reasons. But it's a battle. A struggle to survive. A struggle to make it to the other side. A struggle to be free.

It seems that many of us, with millions of Americans unemployed, are struggling just to survive, too. Hanging on. Trying to make that meager unemployment check last just a little bit longer. Piecing together rent with odd jobs, believing, against all odds that that next job is somewhere around the corner. I really believe that hanging on and believing you'll make it is the new American dream.

No more streets paved with gold, we'd be happy to get a paycheck regularly. And this "endurance cinema" reflects that. Hang on, hang on, hang on, just a little bit longer.

"The Way Back" isn't quite as bleak and despairing as last year's "The Road," but it's a tough go. The ending brought tears to my eyes, but boy! was it a long slog to get there. Mind you, I do love Peter Weir as a director. His "Dead Poet's Society" remains one of my favorite films. And visually (thank you, Russell Boyd), "The Way Back" is stunning to look at. Vast landscapes that include icy snow-covered peaks, as well as vast deserts.

In "Conviction," though, it was clear what the motive and struggle was. In "The Way Back," they put themselves though lots of dangerous situations, and it's kind of unclear why exactly. They talk at the beginning about how "there's a bounty on your heads," from neighboring villagers, but this threat is never bourne out, or even hinted at, once they escape.

It's enough of a stretch to believe that people one day just say, "Hey! Let's walk across Mongolia!" but that they do it without ANY help from villagers along the way strains credulity a bit.*

I watch "Survivor" pretty much every week since it started (a few missed seasons here and there). The parts I love the most are the way people interact with each other (there is much of that in this movie). The parts I REALLY dislike vehemently (OK, I admit, I'm a city girl, and I'd never survive in the wild) are the parts where chicken's heads are lopped off, or animals are otherwise killed for food. Sadly, there is also a lot of that in this movie.

Sure, I understand, they are starving, they need to eat. Do I really need to watch it, though?

Another endurance movie is looming on the horizon, one that I am distinctly NOT going to see: "127 Hours." People in our office this week spoke again of people fainting at screenings. Know this, anyone who plans to go see this one: the hiker goes by himself into the wild, and ends up CHOPPING OFF HIS OWN ARM. And they show it. GRAPHICALLY. Why are people surprised about this? Every screening has someone fainting.

I don't intend to faint. I don't intend to see it, Oscar-worthy or not. I've had enough of endurance films for this season.

ADDENDUM: * I know it's based on a true story. I know people actually did this. Still...

********************************************************

Miche's Creative Arts Emmys Predictions

What are the Creative Arts Emmys, you ask, and why should we care?


Well, lots of people put in a lot of time and effort in their jobs, and it deserves to be recognized. Plus, they can't fit ALL of these awards into one night. They HAD to split it into two. But to me, these Emmys are just as important as the other ones.


Congratulations to everyone who was nominated (and those who weren't). Best of luck to you all.


Here then, are my predictions for the big night (Saturday, August 21, airing on E!).

THE 62ND ANNUAL PRIMETIME EMMY AWARDS: CREATIVE ARTS WINNER PREDICTIONS

Outstanding Guest Actor In A Comedy Series

Mike O'Malley as Burt Hummel, Glee (FOX)

Outstanding Guest Actor In A Drama Series

John Lithgow as Arthur Mitchell, Dexter (Showtime)

Outstanding Guest Actress In A Comedy Series

Betty White as Host, Saturday Night Live (NBC)

Outstanding Guest Actress In A Drama Series

Elizabeth Mitchell as Juliet Burke, Lost (ABC)

Outstanding Host For A Reality Or Reality-Competition Program

Jeff Probst as Host, Survivor (CBS)

Outstanding Voice-Over Performance

Hank Azaria as Moe Syzlak & Apu Nahasapeemapetilon, The Simpsons

Outstanding Animated Program

South Park (Comedy Central)

Outstanding Creative Achievement In Interactive Media: Nonfiction

The Jimmy Fallon Digital Experience (LateNightWithJimmyFallon.com)

Outstanding Creative Achievement In Interactive Media: Fiction

Glee Hyperpromo And Superfan (Fox.com)

Outstanding Short-Format Animated Program

Robot Chicken (Cartoon Network)

Outstanding Variety, Music, Or Comedy Special

The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Outstanding Special Class Program

The 82nd Annual Academy Awards (ABC)

Outstanding Children's Program

Hannah Montana (Disney Channel)

Outstanding Children's Nonfiction Program

Nick News With Linda Ellerbee - The Face Of Courage: Kids Living With Cancer (Nickelodeon)

Outstanding Nonfiction Special

By The People: The Election Of Barack Obama (HBO)

Outstanding Nonfiction Series

American Masters (PBS)

Outstanding Reality Program

Jamie Oliver's Food Revolution (ABC)

Exceptional Merit In Nonfiction Filmmaking

Patti Smith: Dream Of Life (PBS)

Outstanding Directing For Nonfiction Programming

Bertram van Munster, The Amazing Race (CBS) ["I Think We're Fighting The Germans, Right?"]

Outstanding Directing For A Variety, Music, Or Comedy Series

Chuck O'Neil, The Daily Show With Jon Stewart (Comedy Central) ["Episode 15054"]

Outstanding Writing For Nonfiction Programming

Jenny Ash & Ed Fields, America: The Story Of Us (HISTORY) ["Division"]

Outstanding Writing For A Variety, Music, Or Comedy Series

The Daily Show With Jon Stewart (Comedy Central)

Outstanding Art Direction For A Multi-Camera Series

The Big Bang Theory (CBS) ["The Gothowitz Deviation" and "The Adhesive Duck Deficiency"]

Outstanding Art Direction For A Single-Camera Series

Lost (ABC) ["Ab Aeterno"]

Outstanding Art Direction For A Miniseries or A Movie

Georgia O'Keeffe (Lifetime)

Outstanding Art Direction For Variety, Music, Or Nonfiction Programming

The 82 Annual Academy Awards (ABC)

Outstanding Casting For A Comedy Series

Modern Family (ABC)

Outstanding Casting For A Drama Series

Mad Men (AMC)

Outstanding Casting For A Miniseries, Movie, Or A Special

Georgia O'Keeffe (Lifetime)

Outstanding Choreography

Dancing With The Stars (ABC) [Routines: "Futuristic Paso Doble/Living on Video" & "Quickstep/Anything Goes"]

Outstanding Cinematography For A Half-Hour Series

Hung (HBO) ["Pilot"]

Outstanding Cinematography For A One-Hour Series

Breaking Bad (AMC) ["No Mas"]

Outstanding Cinematography For A Miniseries Or A Movie

The Prisoner (AMC) ["Checkmate"]

Outstanding Cinematography For Nonfiction Programming

Whale Wars (Animal Planet) ["The Stuff Of Nightmares"]

Outstanding Cinematography For Reality Programming

Survivor (CBS) ["Slay Everyone, Trust No One"]

Outstanding Commercial

The Man Your Man Could Smell Like (Old Spice Body Wash)

Outstanding Costumes For A Series

Glee (FOX) ["The Power Of Madonna"]

Outstanding Costumes For A Miniseries, Movie, Or A Special

Emma [Masterpiece] (PBS)

Outstanding Single-Camera Picture Editing For A Drama Series

Breaking Bad (AMC) ["No Mas"]

Outstanding Picture Editing For A Comedy Series (Single Or Multi-Camera)

Modern Family (ABC) ["Family Portrait"]

Outstanding Single-Camera Picture Editing For A Miniseries Or A Movie

The Pacific (HBO) ["Part Five"]

Outstanding Short Form Picture Editing

Late Night With Jimmy Fallon (NBC) ["6-Bee (Episode 226)"][/i]

Outstanding Picture Editing For A Special (Single Or Multi-Camera)

The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Outstanding Picture Editing For Nonfiction Programming

Whale Wars (Animal Planet) ["The Stuff Of Nightmares"]

Outstanding Picture Editing For Reality Programming

Survivor (CBS) ["Tonight, We Make Our Move"]

Outstanding Hairstyling For A Single-Camera Series

Glee (FOX) ["The Power Of Madonna"]

Outstanding Hairstyling For A Multi-Camera Series Or A Special

Dancing With The Stars (ABC) ["902A"]

Outstanding Hairstyling For A Miniseries Or A Movie

Emma [Masterpiece] (PBS)

Outstanding Lighting Direction (Electronic, Multi-Camera) For Variety, Music, Or Comedy Programming

The 82nd Annual Academy Awards (ABC)

Outstanding Main Title Design

Human Target (FOX)

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)

Glee (FOX) ["The Power Of Madonna"]

Outstanding Makeup For A Multi-Camera Series Or A Special (Non-Prosthetic)

Dancing With The Stars (ABC) ["901A"]

Outstanding Makeup For A Miniseries Or A Movie (Non-Prosthetic)

Georgia O'Keeffe (Lifetime)

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special

True Blood (HBO) ["Scratches"]

Outstanding Music Composition For A Series (Original Dramatic Score)

Lost (ABC) ["The End"]

Outstanding Music Composition For A Miniseries, Movie Or A Special (Original Dramatic Score)

When Love Is Not Enough: The Lois Wilson Story [Hallmark Hall Of Fame Presentation] (CBS)

Outstanding Music Direction

Celtic Woman: Songs From The Heart (PBS)

Outstanding Original Music And Lyrics

Treme (HBO) ["This City"]

Outstanding Original Main Title Theme Music

Human Target (FOX)

Outstanding Sound Editing For A Series

Breaking Bad (AMC) ["One Minute"]

Outstanding Sound Editing For A Miniseries, Movie, Or A Special

The Pacific (HBO) ["Part Five"]

Outstanding Sound Editing For Nonfiction Programming (Single Or Multi-Camera)

The Amazing Race (CBS) ["I Think We're Fighting The Germans, Right?"]

Outstanding Sound Mixing For A Comedy Or Drama Series (One-Hour)

Glee (FOX) ["The Power Of Madonna"]

Outstanding Sound Mixing For A Miniseries Or A Movie

The Pacific (HBO) ["Part Nine"]

Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation

The Office (NBC) ["Niagara"]

Outstanding Sound Mixing For A Variety, Music Series, Or A Special

The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Outstanding Sound Mixing For Nonfiction Programming

Spectacle Elvis Costello With... (Sundance Channel) ["Spectacle Elvis Costello With Bruce Springsteen - Parts 1 & 2"]

Outstanding Special Visual Effects For A Series

V (ABC) ["Pilot"]

Outstanding Special Visual Effects For A Miniseries, Movie Or A Special

The Pacific (HBO) ["Part Five"]

Outstanding Stunt Coordination

24 (FOX) ["6:00 PM - 7:00 PM"]

Outstanding Technical Direction, Camerawork, Video Control For A Series

Dancing With The Stars (ABC) ["Episode 909A"]

Outstanding Technical Direction, Camerawork, Video Control For A Miniseries, Movie, Or A Special

The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Why I Continue to Watch Reality Shows, Or You Can't Fight the Future

When the first season of Survivor (the very first reality show) started, my friends here in Hollywood who write shows for a living loudly proclaimed that reality shows were taking dollars out of the writers' pockets, and therefore, they (insert footstomp here) were not watching them! Surprisingly, many of them still have this attitude (in Survivor's 20th season).

This week, I read an article which stated that MILLIONS of people who lost their jobs in this economic crisis were just simply never getting them back. These two items are related.

Simply put, the world is changing. You have two choices: Change with it, or die. Seriously.

You can say all day long that scripted television is better than reality television (and I would agree with that), but that won't make the networks stop putting cheaper programming in place of it. All writers everywhere can stop watching it, but does that make American Idol less successful? No, it just makes those writers out of touch.

People can argue about how pervasive the Internet is, and how really, they still love to curl up with their favorite newspaper on Sundays, but is that going to stop the iPad from becoming a dominant way to read books or what used to be printed content? No.

So you can stomp your feet and cling to your mainstream media and outdated jobs, or you can evolve and evolve now. The Internet is where it's at, folks, like it or not. People want media that's better, faster and on their phone. Whatever that is, and whoever provides it.

As much as big media hates this reality, people can find just as much enjoyment (you heard me, I said JUST as much) from a YouTube video of a cat playing with yarn, or a podcast created in someone's garage, as with whatever the Big Media is pumping at us currently.

Face it, principled writers: Dancing with the Stars is glitzy and glamourous and fun to watch. Survivor has some of the best location shooting and underwater photography on television. The Amazing Race travels all over the world, so you see cultures you'd never otherwise see. Every hugely popular reality show has good points.

This is our world now. Computerized, mechanized, at your fingertips 24/7. That is our entertainment. Those are our jobs. Come and get 'em. Or at least, quit your bitching about it. It's not going away.


***********************************************************************