Showing posts with label Glee. Show all posts
Showing posts with label Glee. Show all posts

Monday, May 21, 2012

Glee's Cruelty Trumps its Rampant Pedophilia

 Mostly concerning: Glee, Season 3, Episode 6: "Mash-off"

I'm having a real problem lately. It concerns TV shows having reprehensible main characters that they then expect us to root for and/or care about.

On the "good" end of this spectrum (ie, shows that do this properly), we have TV magic like Tony Soprano and Breaking Bad's Walter White. They never lose their center, their gravitas, as they descend into madness.

On the "I wanna gouge my eyes out with sticks for watching this" side of the spectrum, we have the travesty of last season's Bachelor, whose Courtney made me never want to watch that show again. I literally want to throw up when I even think about watching it.

We also have shows like Desperate Housewives, who start out nice, with characters you want to invest in and actresses that are compelling, and devolve into soapy messes. I ducked out of Desperate Housewives once they had that killer in the basement nonsense going on, and never went back.

And then we have the case of Glee. The first season was pretty magical. The kids were wonderful singers and dancers. Sure, people threw slushies at each other and called each other "Loser," but what high school doesn't have that?

The second season nearly went off the rails, with a mess of storylines. Poor Sue Sylvester, if it weren't for her sister dying, she would've been a caricature of meaness with no respite. Dreadful.

I went into the third season, more hopeful. Indeed, there was a throughline of story revolving around student council elections and the school play. It seemed to have more cohesion. Heck, it had Eric Stoltz directing! How bad could it be?

Well, then there was "Mash Off." Two things about this episode left me gasping at my screen: the rampant pedophilia, left unchecked; and the absolute meanness and judgmentalism of one of the characters. Let's explore those one by one.

First, let me remind those who maybe haven't seen the show that most of the cast is supposedly in high school. Granted, it's kinda obvious that most of these actors are at least in their 20s, but, in theory, they are teens.

So, frankly, even  some of the storylines (one main character was pregnant in the first season, and not by her boyfriend. Ouch.) leave me squeamish. But sure, in reality, teens do have sex. I am open minded enough to realize that.

Here's where it crosses the line for me. Students don't have sex with teachers. Teachers, for that matter, don't egg on students in the sexual direction. That's a line that shouldn't be crossed. I'm really hardcore about this because there is WAY too much sexual abuse of teens going on (both boys and girls). Here's my bottom line: Adults don't sleep with those under 18. Period. No exceptions. And TV shows shouldn't condone this behavior, or glorify it in any way.

This episode, "Mash Off," kicks off with Puck (who tells us no less than three times that "I'm really 18..."'; in real life, he's 30) waxing lyrical about how enamoured he is with his teacher (who now has custody of his illegitimate child, given up for adoption).

He then launches into Van Halen's "Hot for Teacher," which I admit is a great song. They also do a great rendition of it.

But here's the thing. They are TEENS. And they are singing "Hot for Teacher"? And their actual (male) teacher is in the room, and he's digging it? And encouraging them? It made me want to puke. It was really NOT OK, and every adult who participating in creating this episode should be ashamed of themselves.

Shockingly, it wasn't even the worst part of the episode.

Let me give a bit of backstory about the next part.

A regular storyline of all three seasons is how, even though regular kids are abused and put down, it's the gay kids who REALLY suffer. One of them (one of the male leads) even changed schools for a season because he was struggling so hard with it.

We have another (female) gay student, who is hiding her truth and is really ashamed of it. She lets loose a tirade of judgmental meanness on one of her fellow students that left my mouth agape with shock. And somehow, we are supposed to be rooting for this poor girl who has to hide her gayness.

Well, no. I can't really get past her cruelty, thanks. I don't really care if she walks down the road to happiness, and personally, I don't really care at this point if I see her on screen for one more second. I actually think that if I fast-forwarded through all the mean parts and the pedophlia parts of Glee, there would only be the songs left.

And I just may do that, cause the rest of it has become unwatchable.

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Saturday, September 25, 2010

FOX: Raising Hope, the Gem of the Paley Fest 2010

I knew nothing about “Raising Hope” walking into the Paley Fest evening. Didn’t have much hope for it, either. In the end, it was the only show, over many nights, which elicited CHEERS from the crowds at the end.
Of all these shows featuring earnest handsome leads, Lucas Neff as Jimmy is the best of them. Created by the same talents which brought us the charming and quirky “My Name Is Earl” (Greg Garcia), “Raising Hope” is funny. Laugh out loud funny. The funniest of all these comedies paraded to us during Paley Fest.
I’ll let you discover the little gems on your own, but here’s the family you’ll be watching: the always amazing (and I predict an Emmy in her future right here and now) Martha Plimpton as the mom, Garret Dillahunt (whom you know from “Deadwood” and other dramas) is the dad. Cloris Leachman frequently takes her clothes off as the grandmother.
It’s sweet, it’s poignant, it’s damn funny. You must watch it. In fact, if you watch one thing you weren’t otherwise going to watch from the Paley Fest schedule, make it this one. It follows “Glee,” but it’s much funnier.
Did I mention there’s a baby? Normally, I hate babies, but this baby rocks. Watch it.
BOTTOM LINE: “Raising Hope” is the highlight of Paley Fest 2010 fall season.
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Friday, August 20, 2010

Miche's Creative Arts Emmys Predictions

What are the Creative Arts Emmys, you ask, and why should we care?


Well, lots of people put in a lot of time and effort in their jobs, and it deserves to be recognized. Plus, they can't fit ALL of these awards into one night. They HAD to split it into two. But to me, these Emmys are just as important as the other ones.


Congratulations to everyone who was nominated (and those who weren't). Best of luck to you all.


Here then, are my predictions for the big night (Saturday, August 21, airing on E!).


THE 62ND ANNUAL PRIMETIME EMMY AWARDS: CREATIVE ARTS WINNER PREDICTIONS

Outstanding Guest Actor In A Comedy Series
Mike O'Malley as Burt Hummel, Glee (FOX)

Outstanding Guest Actor In A Drama Series
John Lithgow as Arthur Mitchell, Dexter (Showtime)

Outstanding Guest Actress In A Comedy Series
Betty White as Host, Saturday Night Live (NBC)

Outstanding Guest Actress In A Drama Series
Elizabeth Mitchell as Juliet Burke, Lost (ABC)

Outstanding Host For A Reality Or Reality-Competition Program
Jeff Probst as Host, Survivor (CBS)

Outstanding Voice-Over Performance
Hank Azaria as Moe Syzlak & Apu Nahasapeemapetilon, The Simpsons

Outstanding Animated Program
South Park (Comedy Central)


Outstanding Creative Achievement In Interactive Media: Nonfiction
The Jimmy Fallon Digital Experience (LateNightWithJimmyFallon.com)

Outstanding Creative Achievement In Interactive Media: Fiction
Glee Hyperpromo And Superfan (Fox.com)

Outstanding Short-Format Animated Program
Robot Chicken (Cartoon Network)

Outstanding Variety, Music, Or Comedy Special
The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Outstanding Special Class Program
The 82nd Annual Academy Awards (ABC)

Outstanding Children's Program
Hannah Montana (Disney Channel)

Outstanding Children's Nonfiction Program
Nick News With Linda Ellerbee - The Face Of Courage: Kids Living With Cancer (Nickelodeon)

Outstanding Nonfiction Special
By The People: The Election Of Barack Obama (HBO)

Outstanding Nonfiction Series
American Masters (PBS)

Outstanding Reality Program
Jamie Oliver's Food Revolution (ABC)

Exceptional Merit In Nonfiction Filmmaking
Patti Smith: Dream Of Life (PBS)

Outstanding Directing For Nonfiction Programming
Bertram van Munster, The Amazing Race (CBS) ["I Think We're Fighting The Germans, Right?"]

Outstanding Directing For A Variety, Music, Or Comedy Series
Chuck O'Neil, The Daily Show With Jon Stewart (Comedy Central) ["Episode 15054"]

Outstanding Writing For Nonfiction Programming
Jenny Ash & Ed Fields, America: The Story Of Us (HISTORY) ["Division"]

Outstanding Writing For A Variety, Music, Or Comedy Series
The Daily Show With Jon Stewart (Comedy Central)

Outstanding Art Direction For A Multi-Camera Series
The Big Bang Theory (CBS) ["The Gothowitz Deviation" and "The Adhesive Duck Deficiency"]

Outstanding Art Direction For A Single-Camera Series
Lost (ABC) ["Ab Aeterno"]

Outstanding Art Direction For A Miniseries or A Movie
Georgia O'Keeffe (Lifetime)

Outstanding Art Direction For Variety, Music, Or Nonfiction Programming
The 82 Annual Academy Awards (ABC)

Outstanding Casting For A Comedy Series
Modern Family (ABC)

Outstanding Casting For A Drama Series
Mad Men (AMC)

Outstanding Casting For A Miniseries, Movie, Or A Special
Georgia O'Keeffe (Lifetime)

Outstanding Choreography
Dancing With The Stars (ABC) [Routines: "Futuristic Paso Doble/Living on Video" & "Quickstep/Anything Goes"]

Outstanding Cinematography For A Half-Hour Series
Hung (HBO) ["Pilot"]

Outstanding Cinematography For A One-Hour Series
Breaking Bad (AMC) ["No Mas"]

Outstanding Cinematography For A Miniseries Or A Movie
The Prisoner (AMC) ["Checkmate"]

Outstanding Cinematography For Nonfiction Programming
Whale Wars (Animal Planet) ["The Stuff Of Nightmares"]

Outstanding Cinematography For Reality Programming
Survivor (CBS) ["Slay Everyone, Trust No One"]

Outstanding Commercial
The Man Your Man Could Smell Like (Old Spice Body Wash)

Outstanding Costumes For A Series
Glee (FOX) ["The Power Of Madonna"]

Outstanding Costumes For A Miniseries, Movie, Or A Special
Emma [Masterpiece] (PBS)

Outstanding Single-Camera Picture Editing For A Drama Series
Breaking Bad (AMC) ["No Mas"]

Outstanding Picture Editing For A Comedy Series (Single Or Multi-Camera)
Modern Family (ABC) ["Family Portrait"]

Outstanding Single-Camera Picture Editing For A Miniseries Or A Movie
The Pacific (HBO) ["Part Five"]

Outstanding Short Form Picture Editing
Late Night With Jimmy Fallon (NBC) ["6-Bee (Episode 226)"][/i]

Outstanding Picture Editing For A Special (Single Or Multi-Camera)
The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Outstanding Picture Editing For Nonfiction Programming
Whale Wars (Animal Planet) ["The Stuff Of Nightmares"]

Outstanding Picture Editing For Reality Programming
Survivor (CBS) ["Tonight, We Make Our Move"]

Outstanding Hairstyling For A Single-Camera Series
Glee (FOX) ["The Power Of Madonna"]

Outstanding Hairstyling For A Multi-Camera Series Or A Special
Dancing With The Stars (ABC) ["902A"]

Outstanding Hairstyling For A Miniseries Or A Movie
Emma [Masterpiece] (PBS)

Outstanding Lighting Direction (Electronic, Multi-Camera) For Variety, Music, Or Comedy Programming
The 82nd Annual Academy Awards (ABC)

Outstanding Main Title Design
Human Target (FOX)

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)
Glee (FOX) ["The Power Of Madonna"]

Outstanding Makeup For A Multi-Camera Series Or A Special (Non-Prosthetic)
Dancing With The Stars (ABC) ["901A"]

Outstanding Makeup For A Miniseries Or A Movie (Non-Prosthetic)
Georgia O'Keeffe (Lifetime)

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special
True Blood (HBO) ["Scratches"]

Outstanding Music Composition For A Series (Original Dramatic Score)
Lost (ABC) ["The End"]

Outstanding Music Composition For A Miniseries, Movie Or A Special (Original Dramatic Score)
When Love Is Not Enough: The Lois Wilson Story [Hallmark Hall Of Fame Presentation] (CBS)

Outstanding Music Direction
Celtic Woman: Songs From The Heart (PBS)

Outstanding Original Music And Lyrics
Treme (HBO) ["This City"]

Outstanding Original Main Title Theme Music
Human Target (FOX)

Outstanding Sound Editing For A Series
Breaking Bad (AMC) ["One Minute"]

Outstanding Sound Editing For A Miniseries, Movie, Or A Special
The Pacific (HBO) ["Part Five"]

Outstanding Sound Editing For Nonfiction Programming (Single Or Multi-Camera)
The Amazing Race (CBS) ["I Think We're Fighting The Germans, Right?"]

Outstanding Sound Mixing For A Comedy Or Drama Series (One-Hour)
Glee (FOX) ["The Power Of Madonna"]

Outstanding Sound Mixing For A Miniseries Or A Movie
The Pacific (HBO) ["Part Nine"]

Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation
The Office (NBC) ["Niagara"]

Outstanding Sound Mixing For A Variety, Music Series, Or A Special
The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Outstanding Sound Mixing For Nonfiction Programming
Spectacle Elvis Costello With... (Sundance Channel) ["Spectacle Elvis Costello With Bruce Springsteen - Parts 1 & 2"]

Outstanding Special Visual Effects For A Series
V (ABC) ["Pilot"]

Outstanding Special Visual Effects For A Miniseries, Movie Or A Special
The Pacific (HBO) ["Part Five"]

Outstanding Stunt Coordination
24 (FOX) ["6:00 PM - 7:00 PM"]

Outstanding Technical Direction, Camerawork, Video Control For A Series
Dancing With The Stars (ABC) ["Episode 909A"]

Outstanding Technical Direction, Camerawork, Video Control For A Miniseries, Movie, Or A Special
The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)