Showing posts with label television. Show all posts
Showing posts with label television. Show all posts

Wednesday, August 1, 2012

What #NBCFail Tells Us About MSM Today

There are moments in a culture, when you realize that people (and people's viewing/listening habits) have surpassed the medium currently promoted. Film attendance put the nail in the coffin of theatre-going as a regular pasttime. Big-screen TVs caused film attendance to drop. Radio finally realized (too late) that the iPod had changed forever how people listen to music.

We have another of those moments now, although it's been going on for some time already.

And it kinda looks like this.



This image is significant in several ways.

Let me back up a bit. At this moment, in real time, I was on my computer, hooked up to the Internet that Tim Berners-Lee invented, as he was on this stage at the London Olympics, Tweeting "This is for everyone." And, on Twitter, it was like suddenly "everyone" (including me) was responding: "Thanks, Tim Berners-Lee! And isn't this amazing and incredible?" Here we are, in Canada and Brazil and China and Australia and Germany, all able to watch this amazing Olympics Opening Ceremony TOGETHER on the World Wide Web of his creation.

It was stunning poetry, and really touched my heart. Touched that it was nearly the finale of the genius creation that Englishman Danny Boyle had created, a poem to England if ever there was one. The images that he put forth, which I'd been watching (commercial-free) created a stunning portrait that seemed to (according to the Tweets I was reading) touch Englishfolk most of all.

The National Health Service and Harry Potter and Mary Poppins and the English countryside and MUSIC! Oh the MUSIC! Best of all, those dastardly boys of the late 1970s, reviled in their country at the time (spit on at gigs), the Sex Pistols, punkers now dressed up almost as Cabbage Patch dolls, pogoing in their leather jackets joyfully. A British commentator later intoned (paraphrasing), "They used to be banned, but now they are as much a part of Britain as anything else." Something that gets you all warm and fuzzy. (And the Queen was watching!)

The ceremony took my breath away. In many segments.

Subversive in many ways, brilliant in all. I need to rewatch the entire thing.

But all those countries that I mentioned earlier that were watching in real-time? Not among them? The United States. If you played by the rules in America (which, being a punk rocker, I don't), you had to wait NINE HOURS (on the West Coast) after the Opening Ceremonies to see them. And to see a MUCH edited version of them. That whole joyous Sex Pistols moment I described above? Not there. It showed the beginning of the song "Pretty Vacant" (they played the WHOLE SONG), and then cut to commercial. Came back just in the final words of that song.

Another significant thing not there? Really significant, considering that America is all about "stamping out terror" and all that in our propaganda, was a long segment dedicated to the terror victims of 7/7. I think it's safe to say that that moment resonates with every Brit the way 9/11 resonates with every American. And one would think that "terror" kinda resonates everywhere. It was a really poignant, special moment of the ceremony. I can just see the NBC exec, looking at the lineup on paper. "Nah, we don't need that. We can cram plenty of commercials in that part. Look how long it is!"

So you had to watch the whole thing nine hours after the fact, if you wanted to watch NBC's version. You didn't get to share that "This is for EVERYONE" moment with the rest of the world. (In fact, NBC commentator Meredith Viera didn't even know who Tim Berners-Lee WAS. Although she did have that nine hours to Google it, for heaven's sake, so there's no excuse.)

And if you didn't want to wait for the ceremony, for the first time ever, NBC is (supposedly) offering real-time coverage of the Olympics (with every event broken out). This, however, did not include the Opening Ceremoniues (one assumes they will also not include the Closing Ceremonies). The best you could get from NBC (initially) was photographs on their website from what was happening live.

People were on Twitter when this was happening, first complaining that NBC tape-delays its coverage, second that all it was giving anyone was photographs. NBC must have heard people, because soon, it started live Tweeting what was being broadcast. THAT YOU COULDN'T SEE. For nine hours.

Cause, you know, if you saw it, that would be lost revenue for them, and all those commercials they had packed in there at premium dollars.

Here's the thing, though, NBC. I'm a Internet user (thanks to Tim Berners-Lee). If I want to watch something right now, I can pretty much find a way to get it. And so I did. From the United States. So did lots of others, I'm sure.

And, I kept reading these lamenting posts from TV critics and commentators, who were trying to view it through normal (NBC-approved) channels. I felt bad. So I sent them the link. That someone had sent me. After all, This is For Everyone. :-) And that's how the Internet works.

For better Olympics coverage, every day of the Olympics so far, check out #NBCFAIL on Twitter. It tells of all the ways that NBC is screwing up. They seem to be endless.

One thing is sure. The people have moved on in their viewing habits. One day, NBC will figure that out.

http://georgemckay.org/wp-content/uploads/2012/07/CND-sign-at-olympics.jpg

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Friday, August 20, 2010

Miche's Creative Arts Emmys Predictions

What are the Creative Arts Emmys, you ask, and why should we care?


Well, lots of people put in a lot of time and effort in their jobs, and it deserves to be recognized. Plus, they can't fit ALL of these awards into one night. They HAD to split it into two. But to me, these Emmys are just as important as the other ones.


Congratulations to everyone who was nominated (and those who weren't). Best of luck to you all.


Here then, are my predictions for the big night (Saturday, August 21, airing on E!).


THE 62ND ANNUAL PRIMETIME EMMY AWARDS: CREATIVE ARTS WINNER PREDICTIONS

Outstanding Guest Actor In A Comedy Series
Mike O'Malley as Burt Hummel, Glee (FOX)

Outstanding Guest Actor In A Drama Series
John Lithgow as Arthur Mitchell, Dexter (Showtime)

Outstanding Guest Actress In A Comedy Series
Betty White as Host, Saturday Night Live (NBC)

Outstanding Guest Actress In A Drama Series
Elizabeth Mitchell as Juliet Burke, Lost (ABC)

Outstanding Host For A Reality Or Reality-Competition Program
Jeff Probst as Host, Survivor (CBS)

Outstanding Voice-Over Performance
Hank Azaria as Moe Syzlak & Apu Nahasapeemapetilon, The Simpsons

Outstanding Animated Program
South Park (Comedy Central)


Outstanding Creative Achievement In Interactive Media: Nonfiction
The Jimmy Fallon Digital Experience (LateNightWithJimmyFallon.com)

Outstanding Creative Achievement In Interactive Media: Fiction
Glee Hyperpromo And Superfan (Fox.com)

Outstanding Short-Format Animated Program
Robot Chicken (Cartoon Network)

Outstanding Variety, Music, Or Comedy Special
The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Outstanding Special Class Program
The 82nd Annual Academy Awards (ABC)

Outstanding Children's Program
Hannah Montana (Disney Channel)

Outstanding Children's Nonfiction Program
Nick News With Linda Ellerbee - The Face Of Courage: Kids Living With Cancer (Nickelodeon)

Outstanding Nonfiction Special
By The People: The Election Of Barack Obama (HBO)

Outstanding Nonfiction Series
American Masters (PBS)

Outstanding Reality Program
Jamie Oliver's Food Revolution (ABC)

Exceptional Merit In Nonfiction Filmmaking
Patti Smith: Dream Of Life (PBS)

Outstanding Directing For Nonfiction Programming
Bertram van Munster, The Amazing Race (CBS) ["I Think We're Fighting The Germans, Right?"]

Outstanding Directing For A Variety, Music, Or Comedy Series
Chuck O'Neil, The Daily Show With Jon Stewart (Comedy Central) ["Episode 15054"]

Outstanding Writing For Nonfiction Programming
Jenny Ash & Ed Fields, America: The Story Of Us (HISTORY) ["Division"]

Outstanding Writing For A Variety, Music, Or Comedy Series
The Daily Show With Jon Stewart (Comedy Central)

Outstanding Art Direction For A Multi-Camera Series
The Big Bang Theory (CBS) ["The Gothowitz Deviation" and "The Adhesive Duck Deficiency"]

Outstanding Art Direction For A Single-Camera Series
Lost (ABC) ["Ab Aeterno"]

Outstanding Art Direction For A Miniseries or A Movie
Georgia O'Keeffe (Lifetime)

Outstanding Art Direction For Variety, Music, Or Nonfiction Programming
The 82 Annual Academy Awards (ABC)

Outstanding Casting For A Comedy Series
Modern Family (ABC)

Outstanding Casting For A Drama Series
Mad Men (AMC)

Outstanding Casting For A Miniseries, Movie, Or A Special
Georgia O'Keeffe (Lifetime)

Outstanding Choreography
Dancing With The Stars (ABC) [Routines: "Futuristic Paso Doble/Living on Video" & "Quickstep/Anything Goes"]

Outstanding Cinematography For A Half-Hour Series
Hung (HBO) ["Pilot"]

Outstanding Cinematography For A One-Hour Series
Breaking Bad (AMC) ["No Mas"]

Outstanding Cinematography For A Miniseries Or A Movie
The Prisoner (AMC) ["Checkmate"]

Outstanding Cinematography For Nonfiction Programming
Whale Wars (Animal Planet) ["The Stuff Of Nightmares"]

Outstanding Cinematography For Reality Programming
Survivor (CBS) ["Slay Everyone, Trust No One"]

Outstanding Commercial
The Man Your Man Could Smell Like (Old Spice Body Wash)

Outstanding Costumes For A Series
Glee (FOX) ["The Power Of Madonna"]

Outstanding Costumes For A Miniseries, Movie, Or A Special
Emma [Masterpiece] (PBS)

Outstanding Single-Camera Picture Editing For A Drama Series
Breaking Bad (AMC) ["No Mas"]

Outstanding Picture Editing For A Comedy Series (Single Or Multi-Camera)
Modern Family (ABC) ["Family Portrait"]

Outstanding Single-Camera Picture Editing For A Miniseries Or A Movie
The Pacific (HBO) ["Part Five"]

Outstanding Short Form Picture Editing
Late Night With Jimmy Fallon (NBC) ["6-Bee (Episode 226)"][/i]

Outstanding Picture Editing For A Special (Single Or Multi-Camera)
The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Outstanding Picture Editing For Nonfiction Programming
Whale Wars (Animal Planet) ["The Stuff Of Nightmares"]

Outstanding Picture Editing For Reality Programming
Survivor (CBS) ["Tonight, We Make Our Move"]

Outstanding Hairstyling For A Single-Camera Series
Glee (FOX) ["The Power Of Madonna"]

Outstanding Hairstyling For A Multi-Camera Series Or A Special
Dancing With The Stars (ABC) ["902A"]

Outstanding Hairstyling For A Miniseries Or A Movie
Emma [Masterpiece] (PBS)

Outstanding Lighting Direction (Electronic, Multi-Camera) For Variety, Music, Or Comedy Programming
The 82nd Annual Academy Awards (ABC)

Outstanding Main Title Design
Human Target (FOX)

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)
Glee (FOX) ["The Power Of Madonna"]

Outstanding Makeup For A Multi-Camera Series Or A Special (Non-Prosthetic)
Dancing With The Stars (ABC) ["901A"]

Outstanding Makeup For A Miniseries Or A Movie (Non-Prosthetic)
Georgia O'Keeffe (Lifetime)

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special
True Blood (HBO) ["Scratches"]

Outstanding Music Composition For A Series (Original Dramatic Score)
Lost (ABC) ["The End"]

Outstanding Music Composition For A Miniseries, Movie Or A Special (Original Dramatic Score)
When Love Is Not Enough: The Lois Wilson Story [Hallmark Hall Of Fame Presentation] (CBS)

Outstanding Music Direction
Celtic Woman: Songs From The Heart (PBS)

Outstanding Original Music And Lyrics
Treme (HBO) ["This City"]

Outstanding Original Main Title Theme Music
Human Target (FOX)

Outstanding Sound Editing For A Series
Breaking Bad (AMC) ["One Minute"]

Outstanding Sound Editing For A Miniseries, Movie, Or A Special
The Pacific (HBO) ["Part Five"]

Outstanding Sound Editing For Nonfiction Programming (Single Or Multi-Camera)
The Amazing Race (CBS) ["I Think We're Fighting The Germans, Right?"]

Outstanding Sound Mixing For A Comedy Or Drama Series (One-Hour)
Glee (FOX) ["The Power Of Madonna"]

Outstanding Sound Mixing For A Miniseries Or A Movie
The Pacific (HBO) ["Part Nine"]

Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation
The Office (NBC) ["Niagara"]

Outstanding Sound Mixing For A Variety, Music Series, Or A Special
The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Outstanding Sound Mixing For Nonfiction Programming
Spectacle Elvis Costello With... (Sundance Channel) ["Spectacle Elvis Costello With Bruce Springsteen - Parts 1 & 2"]

Outstanding Special Visual Effects For A Series
V (ABC) ["Pilot"]

Outstanding Special Visual Effects For A Miniseries, Movie Or A Special
The Pacific (HBO) ["Part Five"]

Outstanding Stunt Coordination
24 (FOX) ["6:00 PM - 7:00 PM"]

Outstanding Technical Direction, Camerawork, Video Control For A Series
Dancing With The Stars (ABC) ["Episode 909A"]

Outstanding Technical Direction, Camerawork, Video Control For A Miniseries, Movie, Or A Special
The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Friday, May 14, 2010

Why I Continue to Watch Reality Shows, Or You Can't Fight the Future

When the first season of Survivor (the very first reality show) started, my friends here in Hollywood who write shows for a living loudly proclaimed that reality shows were taking dollars out of the writers' pockets, and therefore, they (insert footstomp here) were not watching them! Surprisingly, many of them still have this attitude (in Survivor's 20th season).

This week, I read an article which stated that MILLIONS of people who lost their jobs in this economic crisis were just simply never getting them back. These two items are related.

Simply put, the world is changing. You have two choices: Change with it, or die. Seriously.

You can say all day long that scripted television is better than reality television (and I would agree with that), but that won't make the networks stop putting cheaper programming in place of it. All writers everywhere can stop watching it, but does that make American Idol less successful? No, it just makes those writers out of touch.

People can argue about how pervasive the Internet is, and how really, they still love to curl up with their favorite newspaper on Sundays, but is that going to stop the iPad from becoming a dominant way to read books or what used to be printed content? No.

So you can stomp your feet and cling to your mainstream media and outdated jobs, or you can evolve and evolve now. The Internet is where it's at, folks, like it or not. People want media that's better, faster and on their phone. Whatever that is, and whoever provides it.

As much as big media hates this reality, people can find just as much enjoyment (you heard me, I said JUST as much) from a YouTube video of a cat playing with yarn, or a podcast created in someone's garage, as with whatever the Big Media is pumping at us currently.

Face it, principled writers: Dancing with the Stars is glitzy and glamourous and fun to watch. Survivor has some of the best location shooting and underwater photography on television. The Amazing Race travels all over the world, so you see cultures you'd never otherwise see. Every hugely popular reality show has good points.

This is our world now. Computerized, mechanized, at your fingertips 24/7. That is our entertainment. Those are our jobs. Come and get 'em. Or at least, quit your bitching about it. It's not going away.


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