Miche's Creative Arts Emmys Predictions

What are the Creative Arts Emmys, you ask, and why should we care?


Well, lots of people put in a lot of time and effort in their jobs, and it deserves to be recognized. Plus, they can't fit ALL of these awards into one night. They HAD to split it into two. But to me, these Emmys are just as important as the other ones.


Congratulations to everyone who was nominated (and those who weren't). Best of luck to you all.


Here then, are my predictions for the big night (Saturday, August 21, airing on E!).

THE 62ND ANNUAL PRIMETIME EMMY AWARDS: CREATIVE ARTS WINNER PREDICTIONS

Outstanding Guest Actor In A Comedy Series

Mike O'Malley as Burt Hummel, Glee (FOX)

Outstanding Guest Actor In A Drama Series

John Lithgow as Arthur Mitchell, Dexter (Showtime)

Outstanding Guest Actress In A Comedy Series

Betty White as Host, Saturday Night Live (NBC)

Outstanding Guest Actress In A Drama Series

Elizabeth Mitchell as Juliet Burke, Lost (ABC)

Outstanding Host For A Reality Or Reality-Competition Program

Jeff Probst as Host, Survivor (CBS)

Outstanding Voice-Over Performance

Hank Azaria as Moe Syzlak & Apu Nahasapeemapetilon, The Simpsons

Outstanding Animated Program

South Park (Comedy Central)

Outstanding Creative Achievement In Interactive Media: Nonfiction

The Jimmy Fallon Digital Experience (LateNightWithJimmyFallon.com)

Outstanding Creative Achievement In Interactive Media: Fiction

Glee Hyperpromo And Superfan (Fox.com)

Outstanding Short-Format Animated Program

Robot Chicken (Cartoon Network)

Outstanding Variety, Music, Or Comedy Special

The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Outstanding Special Class Program

The 82nd Annual Academy Awards (ABC)

Outstanding Children's Program

Hannah Montana (Disney Channel)

Outstanding Children's Nonfiction Program

Nick News With Linda Ellerbee - The Face Of Courage: Kids Living With Cancer (Nickelodeon)

Outstanding Nonfiction Special

By The People: The Election Of Barack Obama (HBO)

Outstanding Nonfiction Series

American Masters (PBS)

Outstanding Reality Program

Jamie Oliver's Food Revolution (ABC)

Exceptional Merit In Nonfiction Filmmaking

Patti Smith: Dream Of Life (PBS)

Outstanding Directing For Nonfiction Programming

Bertram van Munster, The Amazing Race (CBS) ["I Think We're Fighting The Germans, Right?"]

Outstanding Directing For A Variety, Music, Or Comedy Series

Chuck O'Neil, The Daily Show With Jon Stewart (Comedy Central) ["Episode 15054"]

Outstanding Writing For Nonfiction Programming

Jenny Ash & Ed Fields, America: The Story Of Us (HISTORY) ["Division"]

Outstanding Writing For A Variety, Music, Or Comedy Series

The Daily Show With Jon Stewart (Comedy Central)

Outstanding Art Direction For A Multi-Camera Series

The Big Bang Theory (CBS) ["The Gothowitz Deviation" and "The Adhesive Duck Deficiency"]

Outstanding Art Direction For A Single-Camera Series

Lost (ABC) ["Ab Aeterno"]

Outstanding Art Direction For A Miniseries or A Movie

Georgia O'Keeffe (Lifetime)

Outstanding Art Direction For Variety, Music, Or Nonfiction Programming

The 82 Annual Academy Awards (ABC)

Outstanding Casting For A Comedy Series

Modern Family (ABC)

Outstanding Casting For A Drama Series

Mad Men (AMC)

Outstanding Casting For A Miniseries, Movie, Or A Special

Georgia O'Keeffe (Lifetime)

Outstanding Choreography

Dancing With The Stars (ABC) [Routines: "Futuristic Paso Doble/Living on Video" & "Quickstep/Anything Goes"]

Outstanding Cinematography For A Half-Hour Series

Hung (HBO) ["Pilot"]

Outstanding Cinematography For A One-Hour Series

Breaking Bad (AMC) ["No Mas"]

Outstanding Cinematography For A Miniseries Or A Movie

The Prisoner (AMC) ["Checkmate"]

Outstanding Cinematography For Nonfiction Programming

Whale Wars (Animal Planet) ["The Stuff Of Nightmares"]

Outstanding Cinematography For Reality Programming

Survivor (CBS) ["Slay Everyone, Trust No One"]

Outstanding Commercial

The Man Your Man Could Smell Like (Old Spice Body Wash)

Outstanding Costumes For A Series

Glee (FOX) ["The Power Of Madonna"]

Outstanding Costumes For A Miniseries, Movie, Or A Special

Emma [Masterpiece] (PBS)

Outstanding Single-Camera Picture Editing For A Drama Series

Breaking Bad (AMC) ["No Mas"]

Outstanding Picture Editing For A Comedy Series (Single Or Multi-Camera)

Modern Family (ABC) ["Family Portrait"]

Outstanding Single-Camera Picture Editing For A Miniseries Or A Movie

The Pacific (HBO) ["Part Five"]

Outstanding Short Form Picture Editing

Late Night With Jimmy Fallon (NBC) ["6-Bee (Episode 226)"][/i]

Outstanding Picture Editing For A Special (Single Or Multi-Camera)

The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Outstanding Picture Editing For Nonfiction Programming

Whale Wars (Animal Planet) ["The Stuff Of Nightmares"]

Outstanding Picture Editing For Reality Programming

Survivor (CBS) ["Tonight, We Make Our Move"]

Outstanding Hairstyling For A Single-Camera Series

Glee (FOX) ["The Power Of Madonna"]

Outstanding Hairstyling For A Multi-Camera Series Or A Special

Dancing With The Stars (ABC) ["902A"]

Outstanding Hairstyling For A Miniseries Or A Movie

Emma [Masterpiece] (PBS)

Outstanding Lighting Direction (Electronic, Multi-Camera) For Variety, Music, Or Comedy Programming

The 82nd Annual Academy Awards (ABC)

Outstanding Main Title Design

Human Target (FOX)

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)

Glee (FOX) ["The Power Of Madonna"]

Outstanding Makeup For A Multi-Camera Series Or A Special (Non-Prosthetic)

Dancing With The Stars (ABC) ["901A"]

Outstanding Makeup For A Miniseries Or A Movie (Non-Prosthetic)

Georgia O'Keeffe (Lifetime)

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special

True Blood (HBO) ["Scratches"]

Outstanding Music Composition For A Series (Original Dramatic Score)

Lost (ABC) ["The End"]

Outstanding Music Composition For A Miniseries, Movie Or A Special (Original Dramatic Score)

When Love Is Not Enough: The Lois Wilson Story [Hallmark Hall Of Fame Presentation] (CBS)

Outstanding Music Direction

Celtic Woman: Songs From The Heart (PBS)

Outstanding Original Music And Lyrics

Treme (HBO) ["This City"]

Outstanding Original Main Title Theme Music

Human Target (FOX)

Outstanding Sound Editing For A Series

Breaking Bad (AMC) ["One Minute"]

Outstanding Sound Editing For A Miniseries, Movie, Or A Special

The Pacific (HBO) ["Part Five"]

Outstanding Sound Editing For Nonfiction Programming (Single Or Multi-Camera)

The Amazing Race (CBS) ["I Think We're Fighting The Germans, Right?"]

Outstanding Sound Mixing For A Comedy Or Drama Series (One-Hour)

Glee (FOX) ["The Power Of Madonna"]

Outstanding Sound Mixing For A Miniseries Or A Movie

The Pacific (HBO) ["Part Nine"]

Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation

The Office (NBC) ["Niagara"]

Outstanding Sound Mixing For A Variety, Music Series, Or A Special

The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

Outstanding Sound Mixing For Nonfiction Programming

Spectacle Elvis Costello With... (Sundance Channel) ["Spectacle Elvis Costello With Bruce Springsteen - Parts 1 & 2"]

Outstanding Special Visual Effects For A Series

V (ABC) ["Pilot"]

Outstanding Special Visual Effects For A Miniseries, Movie Or A Special

The Pacific (HBO) ["Part Five"]

Outstanding Stunt Coordination

24 (FOX) ["6:00 PM - 7:00 PM"]

Outstanding Technical Direction, Camerawork, Video Control For A Series

Dancing With The Stars (ABC) ["Episode 909A"]

Outstanding Technical Direction, Camerawork, Video Control For A Miniseries, Movie, Or A Special

The 25th Anniversary Rock And Roll Hall Of Fame Concert (HBO)

On the new TV genre staple: Families

What else is there to churn out in TV that's reliable, and constantly has stories? We've done crime procedurals to death. Medicine/doctor shows have had their day. Lawyers? Yawn. Oh, I know! Families!

There's something everyone can relate to. To me, it was annoying enough when Brothers & Sisters brought us too many family members, all yammering and in each other's business, constantly gossiping on the phone with each other. But there were some situations that Brothers & Sisters did well. And it is still on the air, after all.

So let's trot out that formula. 

In catching up with potential Emmy contenders, I've just sat down with two of the talked-about shows: one comedy, one drama; both about families. Maybe I was spoiled because I watched the good one first.

"Modern Family," on ABC, is a genuinely funny comedy about a typical (by today's America standards) family. The gay son, the sex-crazed daughter, the father who marries an insanely hot younger woman (what is it with men in Hollywood constantly presenting this stereotype? This doesn't happen in middle America, you know...). But I digress.

"Modern Family" (though about families, and I admit, the topic of families kinda makes me wanna throw up) has a lot of funny lines and situations. Julie Bowen, way better here than in her last ABC show ("Boston Legal") is warm and you wanna know her story. Jesse Tyler Ferguson, as her brother, is also warm and kind.

The pilot of this show made me want to see more. Ed O'Neill is the penultimate father after his long "Married with Children" run, and they had to work hard to make such a truly sexy man (IRL) look so old and frumpy for this show.

The other family show, the NBC drama "Parenthood," has an absolutely stellar cast. This is why I managed to TiVo nearly every show this season, telling myself it just had to be good. Craig T. Nelson is their father. In fact, nearly everyone in this show you've seen somewhere else on TV. For Monica Potter, it's a good thing you probably don't remember her from "Boston Legal."

For others, it's not so good. After all, how can anyone ever wipe away Nate Fisher or Lorelei Gilmore from our minds when watching Peter Krause and Lauren Graham, respectively? It's really truly hard to see Lauren parenting these two kids, when you know she should be off somewhere taking care of Rory. And we all know Nate's dead.

That said--and for me, it still hangs over every frame of this show so far--it's really great to have them both back in our living rooms, where they belong. And if it can't be Rory, Mae Whitman is feisty and compelling enough to want to watch what she does as Lorelei...AHEM, SARAH's daughter.

But, dear God, the family around the dinner table where everyone is talking at once dynamic is so played out. I'm so over it. It's bad enough we have to listen to that crap in our real lives. I don't wanna see it in my art.

I was just about ready to give up on this show, when Lauren Graham has a date (with the ubiquitous Mike O'Malley). And there, the first moments of poignancy that tug at your heartstrings. Peter Krause has a few of them later in the pilot episode too.

So, my jury is still out on this show. At least the living room scene where the brothers and sisters are yammering at each other played better than any episode of Brothers and Sisters I've ever seen. You felt the natural rapport amongst them, and the love. It was really beautiful.

Although I hate to say it, I'm going to be giving both of these shows more chances. Families. Who knew?

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